Tyler Joseph Quotes
When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.
Quotes to Explore
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I let characters be human and flawed and relatable.
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Once you have commitment, you need the discipline and hard work to get you there.
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'Envy' was a bit of a challenge for me. It was smooth.
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'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.
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Now that mobile phones and the internet have altered the epistemic selective landscape in a revolutionary way, every religious organisation must scramble to evolve defences or become extinct.
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I've been just eating very healthy, all organic, no sugar, white flour, nothing artificial. I'm being so incredibly strict... not a lot of meat!
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The names are bigger, the show is worldwide, but I get a royal pass into life in the broadcasting business.
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I have also seen children successfully surmounting the effects of an evil inheritance. That is due to purity being an inherent attribute of the soul.
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Humility is a good estate; founded thereon, the whole spiritual edifice grows into a holy temple in the Lord. Through humility, some have even possessed the gates of their enemies. For which of the virtues is so mighty to subdue the pride of demons and the tyranny of men?
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Reverence is fatal to literature.
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I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
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I stopped watching horror movies after I watched 'Candyman' when I was – I don't know, fifteen or something. I remember my sister rented it, 'Candyman,' and it really, really scared me. And so it was only after I found myself in a horror film that I really went back and kind of rediscovered the genre.
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I am only 33, I've got a lot to do. This is the first half of my career. I'm looking forward to the future and I'm proud about the past.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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I think what you wear really does need to reflect what your own personal style is.
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The one thing I am now sure of is that if there is such a thing as destiny, it is a result of our passion, be that for money, power, or love. Passion, for better or worse.
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We are all afraid for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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Long is the night to him who is awake; long is a mile to him who is tired; long is life to the foolish who do not know the true law.
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I wrote 'The Blue Sweater' to inspire more people to become engaged in working to solve the problems of global poverty.
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I've gotten very alert not just to mixed metaphor but to any writing mistake.
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Put me in a costume, and I'm your man. I must have one of those faces which seems to suit period drama more than modern films and TV programmes. But I'm not complaining, I love going back in time. I feel quite lucky because nobody knows who I am. I can walk about and have ordinary conversations with people.
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I rather be divisive than boring. The last thing I want to be is a bowl of sugar free vanilla pudding, it's not something you necessarily hate but it's not something you ask for. I'd rather be something people passionately care about one way or another than be kind of in the middle.
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When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.
