Ty Dolla Sign Quotes
Quotes to Explore
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I was doing a scene in a medical tent in 18th-century battle dress, pantaloons and a ripped shirt, and the guy from the crew kept asking me if I was OK, if I was too cold. I told him, 'Are you kidding? I'm from Wales!'
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My favorite film is probably the finale - 'Deathly Hallows: Part 2'.
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Well I do think, when there are more women, that the tone of the conversation changes, and also the goals of the conversation change. But it doesn't mean that the whole world would be a lot better if it were totally run by women. If you think that, you've forgotten high school.
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I thought Jimi Hendrix... was just phenomenal.
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Could you say 'senator' instead of 'ma'am? It's just a thing. I worked so hard to get that title. I'd appreciate it.
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I don't know of any other creature on earth other than man that will sit in a corner and cry because of some painful experience in the past.
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I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
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Even if I set out to make a film about a fillet of sole, it would be about me.
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Take pride in exactly what it is you do and remember it's okay to fail as long as you don't give up.
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My original aim after 'The X Factor' was to earn enough money in a year to make the whole experience worth it - you know, buy a car, a flat.
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If we perform as a unit and if every single player gives it his very best, everything can happen.
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The combination of lentils with rice or bulgur is the absolute height of Levantine comfort food. I could eat it every day.
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High tech is for a short time. But art is forever. People still admire a Picasso or a Van Gogh. But they don't admire the steam locomotive anymore.
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I've always loved music and held it as a sacred thing that I can't touch, as I don't really want to deconstruct it or be a musician.
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My son had nothing to do with policy or decision making, nor did I discuss the elections or any other matter with him.
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I enjoy playing someone who doesn't show up and say, 'This is what I am, and this is what I'm about,' but is someone who, four hours in, makes you go, 'Really? Is that what's going on?'
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If you go to the protests now, you will see something you never saw before: hundreds of women. They shout and sing, they even sleep there in tents. This is not just a political revolution, it's a social revolution
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'The city itself swung slowly toward us silent as a dream. No sign of life but puffs of steam from skyscraper chimneys, the motion of the traffic. The mighty towers stood like tombstones in a graveyard, leaning against the sky and waiting for - for what? Someday we'll know.'
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You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.
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When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
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Never, never, will I accept, on issues of integrity, comparisons with the Liberal party.
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What argument have they to persuade the young men to fight except merely in another squalid attempt to defend themselves against a redistribution of the international swag?
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I am Mr. 'Toot it and Boot It.'
