Omar Dorsey Quotes
I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
Quotes to Explore
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I've never been able to understand what they mean by 'Pinteresque,'. I'm sure it's indefinable.
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Judge of your natural character by what you do in your dreams.
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I believe a lot in monogamy, let me tell you.
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America makes prodigious mistakes, America has colossal faults, but one thing cannot be denied: America is always on the move. She may be going to Hell, of course, but at least she isn't standing still.
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A lifetime of low calories has come naturally to the longest-lived people in the world... in the Japanese archipelago of Okinawa.
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My life and my work are very interlocked. That's partly why I like to keep my private life private.
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Obviously, I never want to make the same record twice. I want to keep moving forward. That's the real challenge, I think.
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I love writers. All of my best friends are writers.
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I love speaking at schools. That's always my favorite because I wish I'd had someone who was like me come speak at my school.
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My mother is an ordained minister. I'm a Muslim. She didn't do back flips when I called her to tell her I converted 17 years ago. But I tell you now, you put things to the side, and I'm able to see her, and she's able to see me. We love each other. The love has grown.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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I met will.i.am in the studio and played him a couple of songs and he liked them. We're similar but there's nobody in my lane doing what I'm doing.
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I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I am opposed to the military use of animals. I am also opposed to the military use of men.
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If we do a little bit of insight into history, how many times have there been people doing hate discourse, blaming everything on a certain group of people. That really is the genesis of genocide, where it kind of sparks.
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There are many cultural prejudices. For instance, even though fresh fish is a regional staple, Catalans don't like sashimi.
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There should be a minimum on the air pressure but not a maximum. Every game, they're taking air out of the footballs I'm throwing, and I think that's a disadvantage for the way that I like them prepped.
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I have Dalinian thought: the one thing the world will never have enough of is the outrageous.
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In 'The Founders,' his new book about top charter schools, Richard Whitmire traces both the 'revolution' these schools brought about in many American cities as well as a parallel phenomenon, 'the charter pushback campaigns.'
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There came a time I gave up when I was overseas. No matter how many times I tried working on my visa, I wasn't able to. When I went back to the Philippines, I still wanted to return to Canada despite the difficulties I encountered.
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To my mind, the best SF addresses itself to problems of the here and now, or even to problems which have never been solved and never will be solved - I'm thinking of Philip K. Dick's work here, dealing with questions of reality, for example.
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I usually start writing a novel that I then abandon. When I say abandon, I don't think any writer ever abandons anything that they regard as even a half-good sentence. So you recycle. I mean, I can hang on to a sentence for several years and then put it into a book that's completely different from the one it started in.
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'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.
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I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
