Ty Simpkins Quotes
Quotes to Explore
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I'm not sure if being known opened or closed doors for me.
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That a majority of the Abolitionists in this place would patronize a free labor store, in preference to others, I do not doubt; but we do not muster money in Cincinnati.
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People know things and have a remarkable capacity to act in their individual immediate interests all the time.
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Not that we didn't have close relationships with our parents - I'm very close to my mom - but parents didn't think anything of going off for a few weeks and leaving their kids.
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The last thing you want to do when you are about to film a scene is think, 'Oh my God, so many people are going to watch this.'
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My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
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My real name is Amethyst. It sounds like a stage name. My mom is kind of crazy.
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If you compromise in any kind of movement or any kind of wave of revolution, if you sort of play the game, things are gonna change far more slowly than you need them to.
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I wash my face day and night. I actually really love Dr. Lancer face wash, and I also love Neutrogena.
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My mom and my dad were married 56 years, and the fact that I reconciled with my dad I think made their marriage a little bit better as well.
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The fact is that seven per cent of the global population emits 50 per cent of greenhouse gas emissions, and the proportions are the same for the use of energy and raw materials, meat, wood, etc. Simply put, an infinitesimal minority consumes the most and imposes damage on the overwhelming majority, while asking it to change.
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I don't have any illusion that The Creeper is as popular or will ever be as popular as any of the classic movie monsters, but I think in the heart of every young horror fan is his desire to create his own creature.
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The most successful people are so original.
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Working on 'Drive', a lot of fun. This is Tim Minear whom I've worked with before on 'Firefly' of course. He called me up and said, 'I've got a part for you that you will love,' and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments.
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One golden rule is to accept the interpretation honestly put on the pledge by the party administering it.
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I continue to believe that Mr. Trump will not be president. And the reason is because I have a lot of faith in the American people.
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And I wondered, not for the first time, what patriotism is, what the love of country truly consists of, how that yearning loyalty that had shaken my friend’s voice arises, and how so real a love can become, too often, so foolish and vile a bigotry. Where does it go wrong?
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The aggregate capital appears as the capital stock of all individual capitalists combined. This joint stock company has in common with many other stock companies that everyone knows what he puts in, but not what he will get out of it.
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We still see that people don't really realize that electric cars are here right now. And when we show up with an actual vehicle, and you see it drive away under its own power, it's still kind of a jaw-dropping moment for a lot of people.
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We have been telling and hearing and reading war stories for millennia. Their endurance may lie in their impossibility; they can never be complete, for the tensions and the contradictions within them will never be eliminated or resolved. That challenge is essential to their power and their attraction. War stories matter.
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How do we make a record that's true to the vibe of the band but still maintain the pace of moving forward and doing something fresh?
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I have a lot of memos in my phone of songs; I've had dreams about a melody. It's always melody first as far as when stuff like that happens - I find that my melodic sense is my strongest asset as a songwriter.
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I couldn't know about my culture, my history, without learning the language, so I started learning Arabic - reading, writing. I used to speak Arabic before that, but Tunisian Arabic dialect. Step by step, I discovered calligraphy. I painted before and I just brought the calligraphy into my artwork. That's how everything started. The funny thing is the fact that going back to my roots made me feel French.
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I loved 'Iron Man.'
