Edward Boyden Quotes
A big part of my job is to remember failure, and reboot failure, when the timing is right.
Quotes to Explore
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I was never the pretty girl at school. I'm tiny and mixed-race. I grew up in a white area. I was always the loner.
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People should know what they want, not just what they don't want.
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Never do anything when you are in a temper, for you will do everything wrong.
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My vision of the border with Mexico is that a truck from the United States going into Mexico and a truck coming from Mexico into the United States will pass each other at the border going 60 miles an hour. Yes, we should have open borders.
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You do not have to dramatize everything. In fact, you usually can't, not without ending up with a half-million-word novel.
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I was too prissy, too refined, too abstemious, too French to be a good American writer.
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Simplicity is prerequisite for reliability.
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I have a dress-up chest at home. I love to create this fantasy kind of thing.
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'Boy,' 'October,' 'War,' 'The Unforgettable Fire' and 'The Joshua Tree,' those records, they're part of my musical DNA and structure.
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It's funny how people who ain't never been down there can think that America is so fair and that we should be alright. It's funny that the people who have their foot on our neck are telling us, 'Get up. What's wrong with you?'
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What we want to do is put a price on greenhouse gases. Because if they're more expensive, businesses will find a way to be more efficient or switch to solar or hydro or wind power. So that will reduce emissions.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.
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I decided to build a studio in my house. We built it in my basement kitchen. I had the drummer up by the fish tank. I was in the toilet singing. The bass player was out by the shelves in the living room, and the guitarist was on the couch by the telly.
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Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
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Being an actor is a good way to earn a living. And to meet fabulous people. It's great to live very comfortably. I've been lucky, I've had a lot of fun with great roles, but it is true that if I were extremely rich, I would stop and I would go to play football on a beach in the Caribbean with my children.
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All of my close friends are emotional train wrecks. This is what makes our lives interesting - constantly doubting ourselves, worrying, wondering if we've made a mistake. Could we have done better? Are we good people? Are we bad people?
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It's well worth making your own harissa, but there are some very good commercial varieties.
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His folly has not fellowBeneath the blue of dayThat gives to man or womanHis heart and soul away.
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The poet who writes 'free' verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor - dirty sheets on the unmade bed and empty bottles on the unswept floor.
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If we set our priority 'the removal of all risk', we'll soon have sterile, stagnant, and unstimulating learning environments.
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With writing, there are multiple drafts. On stage, there is one take. I do a lot of preparation for shows, so, for the most part, what you hear me say is pretty much what I wanted to get at.
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Just knowing how the body works and being athletic means it's easier to stay athletic while working a different job.
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A big part of my job is to remember failure, and reboot failure, when the timing is right.
