Liu Wen Quotes
Quotes to Explore
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Every ghetto you go to, Latinos and blacks are the two people that are together. We don't look at each other in any different way, like 'He's black; I'm Latino.' I look at us as one.
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I have never used Auto-Tune in a live television performance, and I have never used Auto-Tune in any of my concerts. That is a promise.
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Being in water makes me relax instantly.
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Good masters teach good doctrine, but that taught by evil masters is wholly evil.
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I had a financial page to write in the Mail on Sunday where I'd give tips on shares. I worked there for two and a half years. Nothing compares to the burst of energy felt on a newsroom floor when a big story breaks.
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It is enough for a poet to be the guilty conscience of his age.
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I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
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Yoko Ono never deserved any of the hate she got. Paul McCartney and John Lennon weren't getting along.
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I think I write fiction for the opportunity to get beyond the limits of my own life.
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I want my outfit to match my mood.
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Of course, a positive growth rate might be taken as evidence that a population is below its optimum.
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There are people in the world so hungry, that God cannot appear to them except in the form of bread.
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The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.
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Audrey Hepburn, for me, was the end-all, be-all style icon.
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It's nice to win. I'll never win again. I may have to take up golf - take on Tiger.
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Nothing ventured, nothing gained. And venture belongs to the adventurous.
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Everyone needs a theme song! It should make you feel like a million dollars.
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We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan.
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I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion.
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I'll be the person using the shuttle robotic arm.
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The best compliment came from Knopf's Sonny Mehta. We were at lunch in New York with my editor, Gary Fisketjon, it was my first time meeting Sonny, and after ordering our food, he turned to me and said, 'Adam, I read 'Mr. Peanut' in two days; every page surprised me, and that, I can assure you, doesn't happen often.'
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I have lots of vintage clothes.
