Amy Sherman-Palladino Quotes
If we based everything in Hollywood on who was a nice guy, holy moly, we would have no movies. No actors would work. This is not an industry that is ruled by kindness and generosity.
Quotes to Explore
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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And the American public was able to make up their own mind whether this verdict was a just verdict or not. So I think there's a lot of value in the public being able to see how the system works or doesn't work, so I think there's a definite value there.
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Too much work, too much vacation, too much of any one thing is unsound.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I am a beneficiary of the American people's generosity, and I hope we can have comprehensive immigration legislation that allows this country to continue to be enriched by those who were not born here.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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You can express your generosity in ways that are virtually limitless. This was what I wanted to convey in 'Giving 2.0' - that whether you have $10 or $10 million to give, if you identify the right opportunities and make the most of your resources, your impact can be tremendous.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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Glory is attained from hard work, step by step.
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If you want to accomplish twice as much, you have to work twice as hard.
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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It's real nice and exciting for me to break the records, but it's more exciting for me to be on a winning team.
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People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'
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When Wolf Blitzer wears a not-so-great tie, how much e-mail do you think he gets? My point is, for women, unfortunately, appearance is part of the job.
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Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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Oh gosh, I'm completely allergic to historical dramas. Particularly those around the civil-rights movement. It's not my favorite thing to watch. So often they feel like medicine. Or not even a history lesson, because I really like history. Just... obligatory.
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If we based everything in Hollywood on who was a nice guy, holy moly, we would have no movies. No actors would work. This is not an industry that is ruled by kindness and generosity.
