Anat Cohen Quotes
The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody is the connection between jazz and klezmer.
Quotes to Explore
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I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
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Coming to Nashville has been so motivating and inspirational. Just watching people live and breathe their music and create something that they can feel from start to finish.
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I love music; I come from a region of Kurdistan that is a base for music.
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I was singing in a mall, and I picked a girl to come up onstage with me. As I was grabbing her hand, I fell off the stage. It felt like I was in the air forever, flying like Superman.
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Through everything I've gone through- and I've been everywhere, at the top of the world, in jail, hung over drunk - I never gave up my dream of winning a gold medal in the Olympics.
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As a child growing up, it's going to be what you're going to remember most. What you liked or not liked then is going to define who you are at the table!
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By the time I get done with my fans and my music and my kids and my family and my fiance and my horses, well, they suffer too, but, I don't really have much time left to do anything else.
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In history, one gathers clues like a detective, tries to present an honest account of what most likely happened, and writes a narrative according to what we know and, where we aren't absolutely sure, what might be most likely to have happened, within the generally accepted rules of evidence and sources.
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I get criticized for taking roles in films like 'Ghost Rider 2', but if you look at my resume, dude, I've mixed it up as much as I can.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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Praise those of your critics for whom nothing is up to standard.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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I have decided that I won't take up assignments that don't interest me.
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Music is really something that makes people whole.
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Music is part of the life of fashion, too.
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I started visiting schools and talking to kids about bullying and what to do and how to deal with it. I don't think that there is one person who has lived life without being bullied. Everybody gets bullied - whether it's cyber-bullying or to your face or behind your back.
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One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in – I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
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There can be no security where there is fear.
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I always wanted my stand-up to feel like not just a show, but like you're hanging out with someone for an hour. I like to just talk.
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If I care about poverty, I have to care a lot about investments in the private sector. The private sector creates the vast majority of jobs in the world, and social protection only goes so far.
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The world of celebrity that comes with the world of art is not particularly interesting to me.
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The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody is the connection between jazz and klezmer.
