Lois Wyse Quotes
Quotes to Explore
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I don't think I knew that you could be a novelist. I think a lot of my students are in the same condition. I thought it was unreachable, that it was sort of dead people. It took me a long time - I think I was well into novel writing before I really thought, 'Actually, this is a valid pastime.'
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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The fairytale has turned into a nightmare.
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I always carry lip balm and lipstick. Lipstick is a very important beauty product because I find that lips are the most beautiful feature of anyone's face.
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All the great artists had their dark sides. Look at Amy Winehouse or anyone who has achieved a certain level of success. Even Adele, and the people that you wouldn't put in the same category as a gangster rapper. These women have exposed their vulnerabilities, demons, and things that have hurt them.
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Cable has come along; many all-news 24 hour cable outlets in the United States. They have cut deeply into the traditional networks' viewing audience.
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We are all inclined to judge ourselves by our ideals; others by their acts.
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It is not the first duty of the novelist to provide blueprints for insurrection, or uplifting tales of successful resistance for the benefit of the opposition. The naming of what is there is what is important.
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I love things that are indescribable, like the taste of an avocado or the smell of a gardenia.
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We're here for a little, little bit of time, and I just wanna make the most out of it.
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We were then in a dangerous, helpless situation, exposed daily to perils and death amongst savages and wild beasts, not a white man in the country but ourselves.
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I'd like to work with Bjork if I could get in the studio with her. We could probably travel to a different planet, you know what I'm saying?
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You're never going to hear me say, 'Well, I've been critical of Obama five times, so now I need to be critical of McCain five times.' That is a false equivalence, and that's what I think is wrong with journalism.
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We have no quarrel with a policy that seeks to support human rights.
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In literature, the ghost is almost always a metaphor for the weight of the past. I don't believe in them in the traditional sense.
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I used to have 20/20 vision, believe it or not; that's gone because of all the reading I did when I wasn't supposed to, reading in the back of a car, waiting for each street light to go past so I could grab another sentence.
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I hope it is true that a man can die and yet not only live in others but give them life, and not only life, but that great consciousness of life.
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Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.
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Protecting eagles from the threat of extinction is a conservation success story that we must prudently safeguard for future generations to come.
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The trouble with 'sacrifices as symbolic acts' is that the immediate impact on those for whom the sacrifice is made quickly fades, while the impact on those who actually make the sacrifice can go on and on.
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There's a tendency, especially among revolutionaries, to only show the good side of yourself and then when you come to power, the bad side comes out.
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Casanova, he had no money and no power, and according to some, he even was cute. But he had talent to live, and some literature talent. I love how he invented himself.
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Power always works from the corner office.
