Andrea Arnold Quotes
Quotes to Explore
-
You don't stay married for thirty-nine years because of sex or even because of love, but because your partner is a real friend to you, because they respect and regard you.
-
I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
-
I'm not the biggest comic book fan.
-
Here's how I work: It's 2013, and most marketers are operating like it's 2009. I'm always trying to market like it's 2015, but not like it's 2020. A lot of my contemporaries who understand where the world is going, go too far out, and aren't practical. I have always prided myself on being visionary, with a heavy practicality.
-
You don't have to paint your walls lime green just to try to have your home feel decorated. If you're a classic dresser or preppy dresser or a modern dresser, you wear a lot of black - whatever it is - your home should reflect that as well.
-
To swear, except when necessary, is becoming to an honorable man.
-
My character Saurabh Singhania is a rich, bad guy who is driven by revenge, so much that you feel like scratching his face or throwing stones at him. The intimate scenes in the trailer are creating quite a buzz... I wish they had shown more of the story instead of the sizzling scenes. The film is not about boldness or intimacy.
-
My original project was called 'The Wheel'; there's a record out there called 'Desire & The Dissolving Man,' 'The Memory Of Loss' as well. There's also 'Falling Faster Than You Can Run,' also 'Closer'; all of that's on our website.
-
I wasn't like those girls who give birth and are back on the runway. It took me probably six months to gain 45 pounds and I would say it took me double that time to lose it.
-
We must not let daylight in upon the magic.
-
I remember Nazi election propaganda posters showing a hateful Jewish face with crooked nose.
-
In the Depression we had to divert corn acreage.
-
I was halfway through a rough draft of 'The Sisters Brothers' when it came time to start the 'Terri' adaptation.
-
There has been no persecution I have not tasted, no oppression I have not suffered. I neither care for Paradise nor fear Hell. If I see my nation's belief secured, I will not even care about burning in Hell, for while my body is burning, my heart will be as if in a rose garden.
-
You say to yourself: 'What could people, in all these countries, find in my books?' and yet I think we're all the same, anywhere. Everybody is a hero or a dramatic person in their own story if you just know where to look.
-
It takes a little bit more mentally to figure out what I need to do to be most effective. The game is ever evolving. So you have to constantly pay attention to the change because you don't want to be left behind.
-
I'm not hard to get along with.
-
White sharks and tuna travel for thousands of miles before returning to the same hot spot just as salmon do when they return to the same stream. These journeys are the marine equivalent of wildebeest migrations that take place on the Serengeti plain in Africa.
-
Technical problems are like gremlins. They come and go.
-
Now, one can often get away with playing music by ear when it is not being recorded, but writing is another matter; its mistakes are not forgotten because they are still there to confuse us.
-
With the wacky jokes that we do on 'Great News,' you do overall still want to be coming from a place of truth with your character because, otherwise, it's just off the walls.
-
There are a lot of people in Beverly Hills who come from the Middle East, who are very much a part of the Beverly Hills fabric, and their kids grew up with the privileges of Beverly Hills. And yet they still have to deal with a lot of the prejudice against them for being foreign-born.
-
For ages, I had this mullet until someone on the street stopped me and said, 'Darling, can I cut your hair for free? Because you look a bit weird.'
-
I find it kind of weird that directors want to put themselves in their films.
