Andrea Riseborough Quotes
I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally.
Quotes to Explore
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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If past history was all there was to the game, the richest people would be librarians.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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I think about death most of the day, every day. We can't escape death, and choosing to ignore it only makes it more scary.
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My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
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I don't believe we have defined health care reform very well in this country.
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Embrace the grease, if any, and look fresh and human. I like to look like a glazed doughnut.
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Beauty is the promise of happiness.
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In the wealthy industrialized nations, effective drug therapies against AIDS became available - AZT as early as 1987, then combinations of antiretroviral agents in 1996. The new drugs offered hope that fatal complications might be staved off and AIDS rendered a chronic condition.
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I am an observer, I like to watch people. I am into psychology and people - how they act and such.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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Dating is a numbers game. What we try to promise is good first dates. Once that first date happens, it's really up to you.
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My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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I like to know that when I'm 90 years old, I'm going to be able to look at a song or poem I wrote and say, 'Wow! I remember I was so crazy about this person,' or 'I remember what that day felt like.'
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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I would be the worst acting coach ever, because I have no idea what I'm doing.
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No honest writer today can possibly avoid being influenced by Freud through his pioneering work into the Unconscious and by the influence of those discoveries on the scientific, philosophic, and artistic work of his contemporaries: but not, by any means, necessarily through Freud's own writing.
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I've learned one general thing in filmmaking: to work with one strong idea. One strong concept that pushes you to work in a certain way artistically.
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What the scientists have always found by physical experiment was an a priori orderliness of nature, or Universe always operating at an elegance level that made the discovering scientist's working hypotheses seem crude by comparison. The discovered reality made the scientists exploratory work seem relatively disorderly.
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[I'm often called a Deviant Calvinist] but that only goes to underline the point I'm trying to make about the need to broaden our account of the tradition!
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I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally.
