Andreas Katsulas Quotes
Well, you know, what's better? To play a character who stays stuck in the same baggage year after year, or to play a character who gets beyond that and goes to a new level?
Quotes to Explore
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I was born into a world where a lot of people who came to the house were performers.
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence.
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We don't need bigger government. We need to shrink the size of government.
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If somebody says they really like my playing I say thanks a lot.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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I was studying political science; I was adamant that I was going to follow in my father's footsteps.
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I'm the Chris Martin of hip-hop.
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I'm a warrior for the middle class.
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I look formidable.
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I wish I had invented blue jeans. They have expression, modesty, sex appeal, simplicity - all I hope for in my clothes.
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The gravest risks from al Qaeda combine its affinity for big targets and its announced desire for weapons of mass destruction.
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Prayer is commitment. We don't merely co-operate with God with certain things held back within. We, the total person, co-operate. This means that co-operation equals committment.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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If only we'd stop trying to be happy we'd have a pretty good time.
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What have we achieved since the end of the Second World War? We have allowed petty, bourgeois regimes in which everything is average, mediocre.
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People in Texas wear cowboy hats; they're good at keeping the sun off your neck and face.
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When I looked at the skeleton of 'Damn Yankees,' I saw an indestructible story, absolutely original characters, one of the freshest, sassiest American scores of the century, and some outmoded equipment.
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The fundamentals for me are character and conflict. I put character first because readers will be indifferent to conflict if they are indifferent to the character who is experiencing it.
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Hip-hop is rich in musical allusion. It takes something that already existed, respects it, and reuses it.
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I used to love the feeling of running, of running too far. It made my skin tingle.
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The experience that a publication creates for its audience is the very essence of that publication's brand - and without deep engagement, that publication's brand will be weak. A good publication is a convener and an arbiter - it expresses a core narrative that becomes a badge of sorts for its readership.
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Well, you know, what's better? To play a character who stays stuck in the same baggage year after year, or to play a character who gets beyond that and goes to a new level?
