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Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?
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No one component of a film can have any meaning in isolation: it is the film that is the work of art. And we can only talk about its components rather arbitrarily, dividing it up artificially or the sake of theoretical discussion.
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I am only interested in the views of two people: one is called Bresson and one called Bergman.
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Objectivity can only be the author's and therefore subjective, even if he is editing a newsreel.
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Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar.
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'Man is born unto the trouble as the sparks fly upwards.' In other words suffering is germane to our existence; indeed, how without it, should we be able to 'fly upwards'.
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Relating a person to the whole world: that is the meaning of cinema.
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Modern mass culture, aimed at the 'consumer', the civilisation of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.