Andrew Forrest Quotes
Quotes to Explore
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When I was 13, I had these episodes where I could just see the world without any words attached to it, without any associations. It was a little bit spooky. A lot of people might have even thought it was pathological. I thought it was interesting.
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Editing and post-production is so important with comedy.
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When I was a kid in Michigan, I used to play ball with a town team on Sunday. Of course, I'd go to church first. Played the church organ, as a matter of fact.
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Conscience is God present in man.
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There will be the 5% on the fringe of any hardcore fanbase that get angry about any change you make to the source material. The truth is that novels, games, comics, and what-have-you are not usually ready to be slapped up on screen as-is.
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As a very young writer - kindergarten through about fifth grade - I most often wrote about black characters. My very early stories were science fiction and fantasy, with kids stowing away on spaceships and a girl named Tilly who was trying to get into the 'Guinness Book of World Records.'
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Concealing what is shameful to you will never lead to anything of value.
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It is a great honor to become Executive Producer of 'Frontline.' David Fanning's mentorship and partnership over the past fifteen years has been extraordinary. I am inspired by his legacy and honored to guide 'Frontline's future.
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In the theater, it's a visceral and physical response because you move around so much. You have to do something physical to pull you in. On TV or in movies, everything is so small. You can just lock into a character and ease yourself into that way.
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I'm generally competing with the ideal I have set for myself, and I've found that served me very well.
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A big element of what they regard as conformity is simply a desire to have an audience.
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If you go to Africa and you're white, you're probably not going to get that much work either. But the fact is that there is a longer history of black integration in the U.S. I don't have any resentment about this: I did the maths, calculated it against my ambition and decided to leave England.
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And a third thing is the understanding of the Church as a community, a communion which is just a hierarchy but the people of God, whose servants are the priests and bishops.
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The mark of a great player is in his ability to come back. The great champions have all come back from defeat.
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I'm more liberated and happy than I've been my whole life. I'm just happy.
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I was drawn to street photography because there are pictures everywhere there: a woman holding a dog, a baby screaming to be put in a pram, kids playing punch ball, stores with huge barrels of kosher pickles outside. I wanted to photograph life, and here it was.
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I'm a very lucky girl.
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I'm not stuck in Strikeforce. I'm happy to be with them. It's where I started, and they've been great to me.
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There's Catholic guilt about things, then there's the guilt of being the youngest of 10, so when nice things happen to you, you're not really allowed to enjoy them.
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I couldn't wait to grow a mustache. I stopped shaving my upper lip the day I graduated from high school.
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To allot God a secondary place in life was, to me, inconceivable. Though He is the sole Owner of the cosmos, silently showering us with gifts from life to life, one thing yet remains which He does not own, and which each human heart is empowered to withhold or bestow - man's love.
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Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson – harpshooting poet of wild nights. She zooms in on the detritus of love – the broken fragments, the fallen leaves – and puts together a collage that is as heartbreaking as it is beautiful. Watch out – she’s driving down your street.
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I'm never looking at life in terms of legacy.
