Andrew Sean Greer Quotes
I think screenplay is hard. I've tried that, and it felt really difficult; like, all the stuff I think I'm good at, like description and internal experience and memory, you can't do that - or, at least, I couldn't figure out a way.
Quotes to Explore
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I stayed in the astronaut program until 1993. People ask me why I left. I thought I had a lot of things to contribute that would be difficult to do if I stayed. I thought I could have a stronger voice as an advocate for space exploration. So I ended up starting my own technology consulting company.
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Without philosophy, history is always for me dead and dumb.
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With ladder matches, you can't expect anything other than craziness.
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You need to make a trip to Des Moines in August, because the Iowa State Fair really is a sight to see. The Iowa Fairgrounds are usually packed for those 11 days, and you get a real sense of what a classic Midwest fair is all about.
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Each of the bracelets I wear is from a long trip I've taken. One is from Nicaragua. One is from Nepal. One is from Guatemala. One is from Laos. They don't come off. I walk into a lot of very high-level boardrooms now, and I present to distinguished conferences, but these bracelets remind me of the places I've been and the people I've met.
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I don't even like to talk Lions too much just because the way our relationship ended.
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The U.S. has spent billions of dollars on educating and supporting teachers or developing curricula but no resources are applied to 'improving the brain' that a student brings to the classroom.
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I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.
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You need to get down among the people who are the dirtiest and dustiest, and the depravity, and you need to see Christ's light shining there.
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I believe we are our own inner hand - the godly power resides within each of us to create the lives we desire - no matter what the challenges!
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Born Berlin 1931, Germany, father a British diplomat, mother an American artist. Educated at various schools all over the world. 1958 Settled down to live in London. 1966 Became interested in photography through photographing my young children. No formal training.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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I'm a very private person. My life story isn't for everybody.
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Medicine heals doubts as well as diseases.
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Most historians and other writers of what we now consider 'primary sources' simply didn't think about women and their contribution to society. They took it for granted, except when that contribution or its lack directly affected men.
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I can relate to pushing yourself because you want to help and move culture toward justice.
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I'm pretty low-key; you'll often find me in jeans, a T-shirt and sweatshirt.
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When there's justice and change, you start to see the cleansing of the soul, and that is what I want for people, and I hope it's okay for me to say those things.
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Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.
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The knell, the shroud, the mattock, and the grave,The deep damp vault, the darkness and the worm.
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I did undergo hypnotherapy, and it didn't work! The guy couldn't put me under. I was very disappointed. I was very keen to be suggested, to have somebody tell me to run naked or cluck like a chicken or whatever, but it didn't work for me, I'm afraid.
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It was a sort of organic thing. I never went, 'I must be an actress.' I thought, 'I think I could do this. I think I could be good at this.' I would just get sort of hungry when I read something I thought I can do well, whether it was in books or in scripts or if I saw a certain movie. It sort of happened quite naturally.
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You take it for granted that interpretations of events change, but that certain definite events occurred that are beyond alteration. Instead, the events themselves are not nearly that concrete. You accept one probable event. Someone else may experience instead a version of that event, which then becomes that individual’s felt reality.
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I think screenplay is hard. I've tried that, and it felt really difficult; like, all the stuff I think I'm good at, like description and internal experience and memory, you can't do that - or, at least, I couldn't figure out a way.
