Lorin Maazel Quotes
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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Acting is trying to be absolutely truthful; to get audiences to believe that you are a dean, when, actually, not only are you not the dean, but if you walked into the building they'd probably throw you out. That's very hard.
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I'm trying to focus on my job as I see it, which is to write the next thing and to remain, to the degree that I ever was, a noticer.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I feel that Christian music is a subculture directed towards the Christians. It's not really being exposed to non-Christians and it's not really created for non-Christians, so non-Christians almost never hear any of this music.
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The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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One of the things that always was Fall Out Boy was trying new things and kind of pushing ourselves in different directions.
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I really identified with Pocahontas' struggles as a young woman trying to identify herself in a modern, changing world and trying to stay true to her culture and heritage.
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I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.
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I love classic rock, rock and roll, that's the top notch. I love soul - bluesy music as well.
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A lot of people put pressure on me, but I don't think I feel that type of pressure. It is more of a good thing that people are trying to do that.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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But I really believe that you don't do music because you want to, you do it because you have to.
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I prefer stories about people who are, in a sense, trying to find better versions of themselves.
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My music puts people in a dreamy mood. It's edgy. It's nuanced. I get annoyed when people say it's R&B because it's not that simple. I call it futuristic soul.
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Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.
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Sure my career means a hell of a lot, but it will never come before Sandy and my son.
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Tattoos are permanent and a lifelong commitment, the same as marriage.
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In fact the hardest part is trying to forget music when I'm not conducting it.
