Lorna Luft Quotes
When you're Judy Garland and you want something, you just pick up the phone and call somebody. Anybody.
Quotes to Explore
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Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage.
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Better to be disliked than pitied.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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'The View' was so much fun. So much fun because the audience was 85-percent fans that wanted to be there celebrating 'One Life to Live' and the other 15 percent were crew members from 'One Life to Live'. It was just really, really wonderful and the clips were wonderful.
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Every day, you get up, and the world is changing; your customers are expecting more from you. Your competitors are putting pressure on you by doing more and trying to beat you here and beat you there.
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I grew up in a house my parents built together on a mountain in Tennessee. When we moved in, the walls were still going up, we didn't have hot water, and we turned it into an amazing adventure.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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You must go after your wish. As soon as you start to pursue a dream, your life wakes up and everything has meaning.
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I am a great procrastinator. When the writing is going really well, the laundry piles up.
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It's actually very important to put a little foundation up into your hairline, or else it looks like your face is not yours - like someone just Photoshopped it on!
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Music enables me to cleanse and shed the things that I feel are holding me back from growing, or growing up.
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Whenever someone says something bad about you, just confront them on it and just be a man and own up to it. If you said something you shouldn t have said, and it's important to somebody you need to talk to, you need to go talk to them. Be a man. Step up.
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Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different.
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I was about 11 when my mother brought me this karaoke machine and I was really into it back then, but about 4 or 5 years ago is when I started printing up my own music, going to the studio and doing my own thing.
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When you see a comedian on stage, the best comedians make it feel like a conversation. But it's not. We have very little interest in what an audience has to say during a performance. Being a stand-up comedian, you're an egomaniac to some degree. Everyone wants to hear what you have to say, apparently. That's not how real relationships work.
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I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
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The day that you walk out in front of 30,000 people and don't get nervous is probably the day to give it up. It's inspiring to be a little terrified.
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The trials my father went through were things most young black males have to go through. There was nothing he shielded from me, because it doesn't matter how you grow up, those who oppress will oppress. It's all completely relatable; everyone feels NWA.
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America is as much a black country as a white one. The lives and destinies of the white American are bound up inextricably with those of the black American.
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In my opinion, there is one singular problem with religions in general: they are exclusive. To me, this exclusivity is not right.
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He who labours, prays.
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In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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When you're Judy Garland and you want something, you just pick up the phone and call somebody. Anybody.
