Lou Brock Quotes
Quotes to Explore
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The essence of the beautiful is unity in variety.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
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There's nothing wrong with being anthropomorphic. That's how we understand the world.
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I'm not the biggest comic book fan.
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It's the 21st century. It's healthier for us, better for the environment and certainly kinder to be a vegetarian.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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I'll never do a film because it's a massive budget and I'm gonna get lots of publicity for it and it will bring something else.
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I don't think an actor ever wants to establish an image. That certainly hurt me, and yet that is also what made me successful and eventually able to do more challenging roles.
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A lot of cats are not that social.
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It was hard at school because, growing up, some people wanted to be friends with me just because they wanted to get to my dad and say that they had met him and had gone to our house. I didn't understand it at the time, but the older I got and the more aware of it I became, it started becoming hard.
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The one word that no politician will ever speak, is 'enough.' Enough.
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I have often thought of it as one of the most barbarous customs in the world, considering us as a civilized and a Christian country, that we deny the advantages of learning to women.
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It is typical of women to fester and ferment over disappointments, slights, annoyances, angers, etc.
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I've done tons of Debbie Allen musicals. I was a dancer in 'Glee,' and I was a Laker girl for three months.
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It's funny. Some people remember that a lot more than I do. I remember certain parts of it, and if everybody who mentioned that to me had been to the game who said they were at the game, there'd be 800,000 people at that game, I think.
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I've really loved steampunk for a long time, ever since 'Wild Wild West,' and it's always been a genre and an era that's fascinated me. But so often it's set in England, and that doesn't really resonate with me, or maybe it just seems a little overdone.
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I remember auditioning for record labels and having them tell me, 'Well, the country-radio demographic is the thirty-five-year-old female housewife. Give us a song that relates to the thirty-five-year-old female, and we'll talk.'
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I'm disappointed that I really haven't been able to race in a way that is reflective of the amount of work that I have done and how I have trained. But I don't regret giving this a go.
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I mean Gorilla was really our first sort of goes at songwriting.
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When you subpoena one pastor, you subpoena every pastor.
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I'm still a news junkie. I mean, I always was, I am now.
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What I felt at that time - we're talking about '61 - was that I couldn't remember seeing a film that reflected the age we were living in.
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Somebody once asked me what my theory of life was, and I said, 'Don't try.' That fits the writing, too. I don't try; I just type.
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The baseball held was my fantasy of what life offered.
