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When 'Ice Ice Baby' was selling a million records a day, I bought several properties: a home next to Michael J. Fox in L.A., a palace in Miami and a mountain cabin in Utah. Then, a few years later, I took a break from touring, saw that my properties had cobwebs, so I sold them, and - to my surprise - I made a huge profit!
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I didn't end up going bankrupt... I made some great investments and I held on to my money, which also enables me to have the freedom to do what I want now. But it's not about finances. No matter what, it's about keeping it real.
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I turned a lot of people in white America - and not just white America, but middle-class America - into hip-hoppers, you know?
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My main thing is music; it's what I do.
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I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.
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I don't harp on what I could change about the past, because I can't go back and change it. But definitely a lot of things I would change.
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Shows have been sold out. It's overwhelming, you know. I had no idea what to expect with this new sound and everything and just to see so many people just come out and embrace it, it's overwhelming.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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My breakdancing crew used to go to the mall and squat a piece of cardboard there; we had our jam box, and I'd spin on my head and make about forty bucks a day, which was pretty good back then. I was only 14 years old, so I would chase the girls around the mall and eat some pizza and have some change left over.
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I do a lot of TV stuff, but I also turn a lot down - it's got to be an adventure.
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I've been playing concerts for many years, and it's still as exciting as it was the first time. I hope that shows when I'm performing.
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I'm a random guy. I shake a hand and make a friend. I don't do egotistical things.
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I will not say anything about my father. Period. I don't have a dad.
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Honestly, a lot of people thought that I was on top of the world selling so many millions of records, and that this is the life that everybody would want, but I never got to enjoy any of my success.
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I've never left music behind, but I've had success in television.
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I've never met anybody in this world like me.
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I didn't want the public in my personal life at all - I thought that people might perceive me as too normal, and I'd lose that larger-than-life rock star persona. You've got to protect that!
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I'm the kind of guy who really likes a challenge. It's more rewarding.
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I used the music kind of as therapy, and it's just amazing that I feel so free after doing that. I feel like I had it trapped inside of me and now I feel free. So it's been a very good therapy session for me as well.
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A lot of people don't remember anything since 'Ice Ice Baby,' but I've got 3 records out since then and they're all successes - but not commercially.
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I have a very broad demographic, from the 8-year-old who knows every word to 'Ice Ice Baby' and the college kid who grew up on 'Ninja Rap' to the soccer mom and grandparent.
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This was totally influenced by me and the direction that I am writing about and the stuff that I am writing about. There is just no way that you can be as intense as what I have been through in my life over a drum beat machine, sample, or loop; it's just not going to happen.
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I know this will blow your mind, but most people would probably never ever get it, but I listen to classical music when nobody else is around. It calms me down and I can get into this, like, deep thinking mode, you know, because there's really no lyrics to it, so you're not following something that - that you're listening to a story.
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I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.