Andy Grammer (Andrew Charles Grammer) Quotes
Quotes to Explore
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Every audition I get, I agonise over and I put everything I can into it.
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I come from an African Caribbean background. I've been influenced by a reggae church music style, contemporary gospel, and rock all fused together.
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You don't have to be dowdy to be a Christian.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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I technically have two last names, which is a lot of fun when you're making airline reservations.
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I really think that it's disgusting that Paris is the only place where it is illegal for paps to follow you around. It actually took someone losing their life - Diana, an inspirational woman - and then it changed, but they still won't change it in London! It's horrible!
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Miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see.
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I remember feeling that Michael was extremely sensitive when it came to that moment. Most directors are and they usually rely, at least in my experience, on the actress to take over. And Michael is a gentleman.
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The feeling remains that God is on the journey, too.
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I will always tell the truth and do what I said I would do.
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I don't think limits.
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Physical roles give me a chance to learn something new.
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I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
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AT&T is interested in anything that drives more bandwidth requirements, and Apple TV drives significant bandwidth, and the iPhone drives significant bandwidth, and so I think it's a very logical fit.
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I envy the sensibility in Europe, appreciating beauty in women as they age. I'm going to go that way. I might dye my gray hair for a bit, but beyond that the buck stops. I'm not having any work done.
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I'm kind of a pop culture stew, you know.
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One is taught by experience to put a premium on those few people who can appreciate you for what you are.
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Life at best is bittersweet.
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My parents told me from the time I can remember that, 'Yeah, you're adopted. But this is your family.' I can remember my mom, she tells me this story: when I was little, I was looking at her, and I was like, 'Why isn't my skin the same color as yours?' She was like, 'Oh, you're adopted, but I wish I had pretty brown skin like you.'
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She behaves as if she was beautiful. Most American women do. It is the secret of their charm.
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When I first started making comics, I was living with a bunch of guys, old college friends. We had this deal. At the end of each day, they would ask me how far I'd gotten on my comic. And if I hadn't made my goals, they were supposed to make me feel really bad about myself. They happily obliged.
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A fan once stopped me outside a theatre and gave me as a gift a signed photograph of Sir Laurence Olivier. It was strange, but nice, too.
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I loved the Disney films, and Sterling Holloway was one of their chief talents. He never had to put on a voice, and that's what Mike [Mitchell] and I encourage. I love the voices that have a unique texture, but it's their real voice.
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I don't really think in terms of goals.
