Andy Grammer Quotes
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I love 'Seinfeld.'
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I know that sounds almost horribly cheesy, but that is what has to happen if you're gonna make a relationship work for a long time: You have to keep learning new things that are interesting about this person or having them catch you off guard and have these little moments of intense appreciation.
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You gain a level of fearlessness performing when no one's there to see you.
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'Dancing With the Stars' was fun, and it opened me up to dancing.
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When you're spending eight to 10 hours out there, the homeless guy is no longer homeless; it's Dave. They become people to you. I think we're really good in this country about saying that they're homeless and, therefore, they don't exist.
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As an artist, you have an opportunity to get in and move things around in people.
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It sucked to make my own CDs. I'm bad at that. It sucks to figure out how to power my amp. I don't know that stuff.
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My dad is a children's singer. His name is Red Grammer. He's literally one of the happiest people on the planet.
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I've been surfing several times, and I'm terrible at it. But what I found was that you're usually waiting on the board, hanging out, watching the waves come in. And one that you think is a big wave is not actually one.
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I'm a humble guy, but I'm audacious.
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'Honey, I'm Good' is a song about temptation, and we wanted to show what is possible if you can beat it.
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Seriously, until I was 16 or 17, I didn't care about anything other than ESPN.
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You know when you hear a lyric and you can tell that the person means it? That is really hard; that is so much harder than it seems: to find the topics that you're passionate about and have it come across as like, 'Yeah, that guy needed to sing that song.'
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I really wanted to write a song like Eric Clapton's 'Wonderful Tonight.' It's just such a sweet sentiment. It's so simple but so genuine.
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I loved all sports, and New York's a pretty good sports town, and the Giants - I don't know why we chose the Giants over the Jets, but we chose the Giants.
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You either create something there on the street, or nothing happens. It's brutal. But if you go through that for two or three years, it really toughens you up.
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I think there's a song for every moment. I don't think there's one right love song.
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You can't have Thanksgiving and not just be like, 'All right, where's the football.' It's been branded very, very well. You can't have one without the other at this point.
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In a typical day, I would wake up about 8 A.M., pile all my stuff into my mom's minivan - my guitar, my amp, CDs to sell, a table and a rug - drive it down to the street, and unload it all. I'd wait until about 12, then play for two hours. You could only play in two-hour intervals, so then I would move it all somewhere else.
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The first album was more born from busking - they were the 'me-and-my-guitar' songs. Going out on the road and opening for big acts changes you. You look out at those audiences and start to think, 'OK, I need to write some music that's a little bit bigger.'
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I tend to be an all-in-type of guy, so I get in a zone to write, and then that's all I do. I'll spend eight hours doing nothing but chasing that one song. That's what works for me.
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Anytime I hear songs that are so honest, whether they make the person who's singing it look good or not, there's a level of honesty that resonates with people.
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Any time you make the transfer of 'I've created something, and I'm giving it to you, and I hope it makes you happy,' that's good.
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It's really fun to have the spotlight and feel ready for it. Not in a conceited way. But just like, 'Man, I think I'm going to give you what you need.'