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Everyone deals with temptation. It's just there.
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'Dancing With the Stars' was fun, and it opened me up to dancing.
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I think there's a song for every moment. I don't think there's one right love song.
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You know when you hear a lyric and you can tell that the person means it? That is really hard; that is so much harder than it seems: to find the topics that you're passionate about and have it come across as like, 'Yeah, that guy needed to sing that song.'
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I'm just trying to write things that resonate with people. And when we're all going through something together, I think you smile after that - I hope that people leave inspired after one of my shows.
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I loved all sports, and New York's a pretty good sports town, and the Giants - I don't know why we chose the Giants over the Jets, but we chose the Giants.
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You either create something there on the street, or nothing happens. It's brutal. But if you go through that for two or three years, it really toughens you up.
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The first album was more born from busking - they were the 'me-and-my-guitar' songs. Going out on the road and opening for big acts changes you. You look out at those audiences and start to think, 'OK, I need to write some music that's a little bit bigger.'
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I really wanted to write a song like Eric Clapton's 'Wonderful Tonight.' It's just such a sweet sentiment. It's so simple but so genuine.
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I'm a humble guy, but I'm audacious.
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My dad is a children's singer. His name is Red Grammer. He's literally one of the happiest people on the planet.
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'Honey, I'm Good' is a song about temptation, and we wanted to show what is possible if you can beat it.
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That I even get to play a sold-out show where people know the words and I'm singing about things I'm connected to is such a blessing. It's the equivalent of a nine-year-old saying, 'I want to be an astronaut when I grow up,' and then getting to go to the moon.
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I'm a singer-songwriter, but we get loud and we jump around. We have dance moves; we freak out. It's really fun, man!
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I've been surfing several times, and I'm terrible at it. But what I found was that you're usually waiting on the board, hanging out, watching the waves come in. And one that you think is a big wave is not actually one.
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I know that sounds almost horribly cheesy, but that is what has to happen if you're gonna make a relationship work for a long time: You have to keep learning new things that are interesting about this person or having them catch you off guard and have these little moments of intense appreciation.
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Seriously, until I was 16 or 17, I didn't care about anything other than ESPN.
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Any time you make the transfer of 'I've created something, and I'm giving it to you, and I hope it makes you happy,' that's good.
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It's not hard to create a song, but to write a song that's really going affect somebody? That takes a hell of a lot of time.
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I tend to be an all-in-type of guy, so I get in a zone to write, and then that's all I do. I'll spend eight hours doing nothing but chasing that one song. That's what works for me.
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Who are you writing this for? For a commercial reason, or because you want to make great art and give it to your fans?
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When you're spending eight to 10 hours out there, the homeless guy is no longer homeless; it's Dave. They become people to you. I think we're really good in this country about saying that they're homeless and, therefore, they don't exist.
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You can't have Thanksgiving and not just be like, 'All right, where's the football.' It's been branded very, very well. You can't have one without the other at this point.
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It sucked to make my own CDs. I'm bad at that. It sucks to figure out how to power my amp. I don't know that stuff.