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When you're spending eight to 10 hours out there, the homeless guy is no longer homeless; it's Dave. They become people to you. I think we're really good in this country about saying that they're homeless and, therefore, they don't exist.
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There are pretty girls all over the place. But there are still a lot of people standing strong, doing their thing in loving relationships, actually staying true. I wanted to write an honest love song from that point of view.
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Anytime I hear songs that are so honest, whether they make the person who's singing it look good or not, there's a level of honesty that resonates with people.
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It's really fun to have the spotlight and feel ready for it. Not in a conceited way. But just like, 'Man, I think I'm going to give you what you need.'
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I think that you just understand, as any creative person, that there's a beast that you have to beat, and it never goes away. I've resigned myself to that, and it's kind of what keeps you going. Writing is the worst and the best.
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You want to hit people's ears to make them want to dance in their kitchen. So that is what a hit is to me.
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I don't know how to dance, and I don't have any extra flexible skills.
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I made a deal with myself that no matter where I go, if I see a street performer, I'd tip them. It's sweet to know that you can get started from the generosity of others.
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Who are you writing this for? For a commercial reason, or because you want to make great art and give it to your fans?
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For each person, they live their life and their truth and how it works for them, and that's just kind of how it works for me. I'm not good at doing whatever the other way is - it wouldn't work for me.
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Basketball was every day of my life. Wake up with a ball - sometimes I'd sleep with it because someone told me that was better for you.
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I think it would be really brutal to put on a persona and get famous for that persona. Like, 'I'm number one, I'm the best!' because that sounds like a lot of pressure.
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You get way better from playing to the passing public. You learn how to entertain. But it took me a good three years out on the promenade to figure that out. You also learn what makes them stop dead in their tracks and what doesn't.
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You hear a lot of songs that are about people cheating or about infidelity. I haven't really heard one before about connecting with the noble part of yourself. I know it sounds a little bit cheesy, but that's the real deal. There are a lot of people who are making a genuinely good, sweet decision on a daily basis.
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The alarm on my wife's phone is 'Signed, Sealed, Delivered,' so that's a great way to wake up.
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It's like freedom of speech - they can't tell you not to do it. When no one will put you on at a club or venue, you can go to the street, just start singing, and get a lot of good feedback from people as they walk by. I got really good at lip reading and seeing if a song is working. It was a good way to start.
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Street performing can be a great teaching ground and a barometer for what you're doing. It's rough and unforgiving at times, but it can be wild and fun and a real open canvas for your creativity.
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I found that music was my favorite art form.
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I love magic. Like, 'pull a scarf out of your fake thumb' magic. I have a legit bag of 'Magic Stuff' in my garage.
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'Fresh Eyes' was my own little discovery of having been in a relationship for a while and realizing that my favorite part of it is being surprised.
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Seeing what kinds of songs work in other cities and other parts of the world was pretty eye-opening. I know it changed how I approached the second record big-time.
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I don't really think in terms of goals.
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The first song that I had that went platinum was 'Keep Your Head Up,' which was a long time ago. Then, you get 'one-hit wonder' with that.
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I'm from New York, so I'm simultaneously a snob and will also eat any pizza you put in front of me.