Andy Samberg Quotes
I do a lot of laughing at my own self in life, so I think I come at things with a pretty easygoing view.
Quotes to Explore
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The difference between an actor and a star is the budget and the overall presentation of a film.
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I can't wait to get on stage, because there you don't worry about whether you'll ever get married because your life is insane, or whether you'll ever have another boyfriend again, you don't worry about the typical boundaries of how your life has to be.
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Unfortunately, America doesn't have a minister of culture, and I don't understand why. It's really bad for young people.
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If you substitute marijuana for tobacco and alcohol, you'll add eight to 24 years to your life.
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Football is losing its heart and sense of humour.
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I want to lay all my cards out on the table and walk away with no regrets.
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Contrary to popular belief, I'm not always trying to stand out.
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I could do a franchise for the end of everything. 'The End of Dogs,' 'The End of Cats.'
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I chose the most explosive dress I could find. I put a ton of makeup on and some great round earrings. I looked like Jennifer Jones in Duel in the Sun.
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I see so many activists... who are artists because they feel that they have the power of communication.
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Since first starting my career, I've grown accustomed to working with actors older than me. I'm always the youngest.
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I believe with all my heart that the American classroom teachers are one of our greatest and most heroic treasures.
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I have a deep fascination with human nature, with all its virtues and all its defects.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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The notion of religious liberty is that you cannot be forced to participate in a religious ceremony that's not of your choosing simply because you're out-voted.
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American power worldwide is at its historic zenith.
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I sort of mind living in a time when most of the literature is terribly personal. I suppose it's because I grew up on a love of history, philosophy, science and religion, but not to think too much about yourself.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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I realize that 'Postcards' was like input, and 'Ghostwriting' was output. I had all these frustrations and feelings before I did those two projects. 'Postcards' was something that brought new life and creative inspiration into the record, while 'Ghostwriting' was relieving myself.
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Our souls are getting older and we're tired of doing things the same old way. We want to find some real solutions.
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I'm very realistic in my outlook on everything in life. When I look ahead in my mind to see what's going to happen next, I see the good and I see the bad.
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Novels tend to end as the Paternoster begins: with the kingdom of God on earth.
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Our lives are without reason, nothing outside the individuality.
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I do a lot of laughing at my own self in life, so I think I come at things with a pretty easygoing view.
