Andy Serkis Quotes
After 'Kong,' my knuckles have never recovered because I had to wear very heavy weights on my forearms and around my hips and ankles to get the sense of size and scale of the movement of the character... You are telling your body that you are these things and that you're feeling these thoughts and that you're experiencing these experiences.
Quotes to Explore
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I've been married over 50 years of my life.
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My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.
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With couture, you feel obligated to design something modern each season, but with Theyskens Theory, I don't question anything. I'm thinking of what I'd like to wear.
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Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.
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All creative people have to have vulnerability because those nuances are what move people. So I'm deeply insecure - but I'm good at hiding it.
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I loved London. In the 1970s... it was very exciting, really wild.
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You gotta understand, you can't look at no pictures and look at the media and the critics and what they saying on no Internet.
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I knew Jimmy Dean. He tested for 'Battle Cry'. Paul Newman tested for 'Battle Cry'. I did nine tests to finally get that role.
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If you were to ask me to choose between democratic values and wealth, power, prosperity and fame, I will very easily and without any doubt choose democratic values.
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It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
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Sometimes I can be misunderstood. I'm really competitive.
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A lot of people have asked me whether I am a cynic or take a cynical view of politics and are often surprised when I say that I consider myself an optimist, but an optimist dressed in the robes of a realist.
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People want to come to Pakistan but are not given visas. We wish for visas to be given to those people who want to come to Pakistan.
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Let's have some new cliches.
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I started out as a dancer as a kid; I've been dancing since I was 4. So, performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.
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I stayed away from mathematics not so much because I knew it would be hard work as because of the amount of time I knew it would take, hours spent in a field where I was not a natural.
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I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
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It's extremely difficult to say what one actually means by 'sculpture' other than, in a provisional sense, it's something that goes on the floor or a pedestal, and loosely applies to a certain history of the use of that term.
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The successful men I admired all built their bodies.
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There is very strong historical data that suggests the way societies grow is by making large, long-term investments.
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I'm in the process of trying to find something that I could do on my own.
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I'm your private dancer, a dancer for money, I'll do what you want me to do.
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Conservatives tend to believe there is a close and necessary connection between prosperity and freedom - that economic freedom is an essential part of human freedom.
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After 'Kong,' my knuckles have never recovered because I had to wear very heavy weights on my forearms and around my hips and ankles to get the sense of size and scale of the movement of the character... You are telling your body that you are these things and that you're feeling these thoughts and that you're experiencing these experiences.
