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I want to do something original rather than interpret someone else's performance, which is always the risk - even if it's only in a subconscious way. I want to concentrate on giving my own fresh interpretation.
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I love doing my own stunts. I'd love to do a full-on period sword-fighting piece where I get to show off with fighting and horses - I'm up for it.
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That's acting for you. 'White Queen' has English playing Welsh and vice versa.
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I do my own stunts; that's something I'm very passionate about. I spent a lot of time on boats as a kid, so it's just nice to be able to put that into use in the job that I do.
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Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.
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I try to be respectful and talk to any fan and sign anything that anyone wants. Without the fans, you're not much. You need fans to do this job. I've got a nice little following, and it seems to be growing as each thing comes out.
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In 'Citadel,' I play a very young father. When I first signed onto 'Hunky Dory,' I was actually 18 years old.
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I never like to stick to one media; whether it's a TV series or feature film, I enjoy it and I like changing constantly.
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I was really bored in school because I couldn't do what I wanted to do, which was act. And then when I was 14, a local TV company came to the youth theater, and they were auditioning kids to be in this new TV series.
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It's a really good format to have, to go back to theatre and build yourself as an actor. I think it's a great skill to go from screen to stage.
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I like to portray things as close to the bone as possible.
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A friend of mine once, when I was 11 years old, mentioned that there was a youth theater, a local amateur youth theater nearby where young people could go every Sunday. And that's where it began, really.
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One thing I learnt was that you don't have to spend all day shooting: you can get it done in half an hour if you're that talented as a cameraman.
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Fame isn't happiness, but success and being respected in your craft is worth fighting for. You've got to work hard to be noticed.
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When I was a kid, I used to pretend to be Bond; I used to make up scenarios and irritate my sister and annoy my mother and father pretending to be someone else, so I kind of was already acting when I was a child. I just didn't really know it.
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Award ceremonies are strange because you're sitting next to someone you've never met; you're celebrating with a total stranger.
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If you have 130 people on set, all with different opinions, sometimes it's going to kick off. There might be some people who say I'm a big problem to work with - that you couldn't tell me anything - but hopefully, they don't.
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Richard Burton is my number one idol. One, because we come from very similar backgrounds and two, because of his fantastic talent.
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It's so much nicer to be able to do your job with someone who's helping you, and you're helping them. Then, it becomes a tennis match where you're hitting the ball back and forth, and you're a team.
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I realized that the actors that I liked and admired all went to drama school and got an agent that way. So I started when I was about 16 in drama school, and then I knew I had to wait until I was 18 so I could go on auditions, and I tried to get into one of the ones that I liked and then go from there.