Angela Ahrendts Quotes
Quotes to Explore
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I remember how much fun it was to pick out my lunchbox. My all-time favorite lunch box was from the movie 'Annie.' Also, I loved picking out school supplies! Trapper Keepers were my favorite.
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We got Martha Stewart legitimizing homemaking for her generation, and then there's this return to being interested in all things home, lifestyle, and food again. I think this generation is less about the frills and more about the flavor of things.
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I keep seeing in the papers that I am good friends with Samantha Cameron. I've never met her in my life.
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I just think that is so important to keep a strong support system, to keep yourself encouraged.
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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought.
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The pattern of a newspaperman's life is like the plot of 'Black Beauty.' Sometimes he finds a kind master who gives him a dry stall and an occasional bran mash in the form of a Christmas bonus, sometimes he falls into the hands of a mean owner who drives him in spite of spavins and expects him to live on potato peelings.
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I don't know how people do this waxing thing. Now I just have all these bumpy ingrown hairs.
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Life ceases to be so oppressive: we are free to give our own lives meaning and purpose, free to redeem our suffering by making something of it.
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Many of us who have cars have felt some form of extreme anger at other drivers because we feel they have put us in harm's way. We might even envision ramming their cars or cutting them off in return, but do we actually do it? No, because the overwhelming majority of us never want to take another human life.
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I rewrite my books many times before submitting them, and after my editor takes a look I wind up rewriting some more! It's a good thing I learned at an early age to keep on trying. Stick to it, and eventually you'll get there.
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I die wearing a bootie for three hours. I'm like, get these off of me!
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My family is Muslim. But I don't consider myself a very devout Muslim, but a cultural Muslim, whatever that means.
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During 'Saturday Night Fever' at the end of the first act dance number I tried to perform a split-jump, only I can't do them so I ended up on my ass followed by the most unsightly backward roll out of it, followed by the cast falling over in laughter and a good portion of the audience too.
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When things happen to you in the worst way, you live with it, you go over it, you think, 'What else could I have done?'
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I'm amazed by just constantly - there's not a week that goes past where there's not someone in Ulan Bator or Rio De Janeiro suddenly says, 'Ooh, 'Downton' started this week.' You completely forget it's staggered across the world.
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Conscia mens recti famae mendacia risit
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But the safety of the world, in some sense, depends on your saying 'no' to inhumane ideas. Standing up for one's own integrity makes you no friends. It is costly. Yet defiance of the mob, in the service of that which is right, is one of the highest expressions of courage I know.
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I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
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I learned a long time ago that place matters to me, on many levels, and maybe more than it should, but it is generally counter-productive for me to resist it.
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I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.
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Whatever affect any of my films have on audiences, I just kind of stop at the door. I make them and I just don't go outside after they're over.
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In our desire to impose form on the world and our lives we have lost the capacity to see the form that is already there; and in that lies not liberation but alienation, the cutting off from things as they really are.
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All I have are my instincts. They've never failed me.
