Louis Sachar Quotes
I guess what led to me writing 'Holes' was having moved to Texas in 1991, and it was sort of my reaction to Texas.
Quotes to Explore
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The beauty of 'The Hunger Games' and also 'Game of Thrones,' in fairness, both projects have really complex, three-dimensional, contradictory, strong women... The writing of female characters is extraordinary and equal to the men.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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I still call Texas home. It is where I spent most of my life growing up.
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.
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Writing is my way of expressing - and thereby eliminating - all the various ways we can be wrong-headed.
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What was the first name of the Houston club? It wasn't the Astros. It was the Colt .45s. A lot of guys now will say Colt 45 is a beer. But it was also a pistol, and it went right with Texas.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
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I have some great stories and I will get around to writing a book.
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I learned that you should feel when writing, not like Lord Byron on a mountain top, but like child stringing beads in kindergarten, - happy, absorbed and quietly putting one bead on after another.
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Writing Part of the Scenery has been a very different experience. I have been reminded of people and events, real and imaginary which have been part of my life. This book is a celebration of the land which means so much to me.
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I've never really felt comfortable co-writing. I usually go at my own speed, you know.
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All true meaning resides in the personal relationship to a phenomenon, what it means to you.
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There was a whole group that really welcomed me: George Mitchell was one, Ted Kennedy, Chris Dodd, the reformers were really delighted to see me. So if you were one of those squeaky clean, shiny bright, let's reform the world, you were very glad to see Barb Mikulski, and George Mitchell was in that category.
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I guess what led to me writing 'Holes' was having moved to Texas in 1991, and it was sort of my reaction to Texas.
