Angela Duckworth Quotes
I think that is just a limitation of any questionnaire - that we apply a frame of reference or standard. It's a well-known finding in psychology that when people are total beginners at a skill, they tend to overrate their skill level. They don't know what they don't know. The more expert you are, the more critical you become.

Quotes to Explore
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To be 23 and riding the crest of a song sweeping the world country by country is to live an altered and wholly rarefied existence.
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I really like this trend of songwriting that is honest and intelligent and serious and longing.
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I'm a regular person. I know a lot of people love being famous. I don't like it. I'm just chillin'. YouknowwhatI'msayin'?
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Whatever God or whatever higher power you believe in, they brought us to this earth in a perfect way, and you have to learn to love yourself. Otherwise, it's an exhausting way to be.
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I got to write most of everything I said.
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There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
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The good news is that real-world hands-on conservation is alive and well and catching on across the America I travel.
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I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
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My family didn't have any money growing up. I'm just a girl from the ghetto; from Indio, California.
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Ralph Waldo Emerson would definitely be my homeboy.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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Well, I think the United States first of all has to recognize the world for what it is.
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Criminals are never very amusing. It's because they're failures. Those who make real money aren't counted as criminals. This is a class distinction, not an ethical problem.
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I think it's a loser's mentality to get happy with somebody losing.
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The secret of being a great actor is a love of food.
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My father was dark skinned because he was Tatar. Sometimes Tatars can look Brazilian.
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I select a very small number of things to be sceptical about, such as markets, and on these I am hypersceptic. But I want to be fooled by randomness in art. I want the ceremonial of religion; we are made for it.
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There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.
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I stand by it. I take the criticism for it. I think it's unfair, but yes, there is a thing about nepotism, and we all try to respect it.
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I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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Theater, for me, is no longer a conversation about how we destroy each other; it's much more about how we may be destroying everyone else.
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I want to help find opportunities for people to become active participants in their communities.
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I think that is just a limitation of any questionnaire - that we apply a frame of reference or standard. It's a well-known finding in psychology that when people are total beginners at a skill, they tend to overrate their skill level. They don't know what they don't know. The more expert you are, the more critical you become.