Louise Rennison Quotes
Quotes to Explore
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Few people even scratch the surface, much less exhaust the contemplation of their own experience.
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The natural world is often bleak, but the language devoted to it is as careful as needlepoint and prophetic as well.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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I'm a huge fan of 'Eastbound & Down.' It's one of my favorite shows.
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There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.
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I do not believe in any legacy. The past is dead and gone.
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A filmmaker can never be distant from his roots.
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Wise choices can put us in control of situations where we might otherwise be tempted to compromise our principles. We cannot control all that happens to us; however, we can choose to be in control of our responses.
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I was passionate about soccer. I still am. Odd, though - playing soccer always made me much more anxious than playing tennis. On soccer days, I'd be out of bed by 6 in the morning, all nervous. But I was always calm when it was time for a tennis match. I still don't know why.
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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
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Job-wise, I did have a moment of panic that I should have been a doctor a few years ago, but I hate when people vomit.
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Any film is about heroism: the triumph of good over evil. If you look back at my films, you will see that as a recurring theme.
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Thinking differently is my strength.
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Don't be surprised if you find me doing some charity work in another country.
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I have only so many foreign-language neurons. When I learned Spanish, that displaced whatever Irish was left, and then I learned German, and that displaced the Spanish, and when I learned Serbo-Croatian, that displaced the German. So I'm a bit of a muddle.
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People trash talk me.
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I believe the Thai people are patient, and the people at least give me a chance to prove my ability to help them.
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I was a theater major at Northwestern University and won a role in a play called 'Mr. Marmalade' after I graduated.
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When we are filming, I can concentrate very quickly, but it does tire me out. It throws me into such a state! A trance-like state. So, what I need is either a trick for a calm type of trance or a sleepwalking trick.
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When they offered me 'Wayne's World 2,' they said: 'We were going to give this to another actor, then we thought we'd see you'. I just thought: 'Surely you always had me in mind for that just in the way that it's written?', but they never admitted it. It was a wonderful gig to do. Really special.
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If the past is an indication, when women are given a job to do in Congress, they get it done.
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We who have lived before railways were made belong to another world. It was only yesterday, but what a gulf between now and then! Then was the old world. Stage-coaches, more or less swift, riding-horses, pack-horses, highwaymen, knights in armor, Norman invaders, Roman legions, Druids, Ancient Britons painted blue, and so forth -- all these belong to the old period. But your railroad starts the new era, and we of a certain age belong to the new time and the old one. We who lived before railways, and survive out of the ancient world, are like Father Noah and his family out of the Ark.
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Here is another marvy glimpse into the gothic basement that I call my mind.
