Angelique Kerber Quotes
Quotes to Explore
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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Lobbying is a legitimate profession... Many congressional spouses act as lobbyists.
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I might not be the greatest actor, but I walk into every project willing to work hard.
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I find it hard to be labelled in this new 'super-rich' category because we all grew up with very little. The idea that 'to get rich is glorious' is really a new phenomenon. I certainly didn't grow up like that.
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In a marathon, if you run too fast, you get exhausted. If you run too slow, you never make it.
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I believe nobody is stronger than the state. So the state would be strong, and we have to work altogether to make the strength of the state.
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Writing is not like acting, where you can pull these little stunts that create a particular effect. Words are all it is about, and the way you use words has to be individual and particular to you.
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I try and sit on the fence because as soon as you voice any kind of opinion, people begin to think you're an idiot.
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There is no shortage of embarrassing facts about healthcare, and people die every day in the U.S. due to preventable errors - would you fly planes if you knew several of them would drop out of the sky every day?
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Online, you have things like Slate Magazine, which has a lot of commentary and analysis of stories, so it gives you a fuller picture. I would compare that to a news magazine or the New Republic.
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Jail is definitely not cool. Education is.
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If an alien with an accounting degree touched down in America, it might conclude that we're a weird cult that spends 11 months living frugally and four crazy weeks buying tons of stuff we don't need. It wouldn't be entirely wrong, either.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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I've learned so many things from directors in my acting career. There are even some things I've learned that I didn't want to do. There are those directors who've really made me shine and others who've made me opaque.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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Mental life is indeed practical through and through. It begins in practice and it ends in practice.
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Seriously, I wanted to be an artist because I saw that it meant endless possibilities. I came from a badly managed family background, so art was a way of reinventing myself.
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You never know where your influences are going to come from, or where you're going to find your inspiration.
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You like a woman, she's got kids, it's a package. You can't just go in one-sided.
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There is no fact-checking on tertiary celebrities. You can say whatever you'd like, and it will just rise up again.
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What I love about doing live theater and the same material night after night is... you can live inside the same words. There comes a great joy in that, in making it so clear because you've had the time to define it.
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It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
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It'll never get old to hear a song that I wrote on the radio or to hear what someone experienced when they heard a song I wrote.
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My game was always about good defence.
