Angie Stone Quotes
I think people's perception of a rich girl is literal, but metaphorically I embrace it as being rich in love, spirit, joy and religion. So it's not about money.
Quotes to Explore
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Coaching is the great passion of my life, and the job to me has always been an opportunity to work with our student athletes and help them discover what they want.
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I don't have traceable literary models because I haven't had great literary influences in my life.
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Listen, I'm not a politician. I'm not a news reporter. I make music, and I act.
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I have changed so much as an actor over the years.
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We believe that the world, too, can destroy apartheid, firstly by striking at the economy of South Africa.
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I think that the training of architects allows you to see what will happen ten years ahead of time, or twenty. It's not guessing, it's not intuitive, it's based on research - and we may be wrong.
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I don't like attacking.
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I think people really marry far too much; it is such a lottery after all, and for a poor woman a very doubtful happiness.
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After the revolution, it might very well remain necessary to place people where they could not do harm to others. But the one under restraint should be cut off from the rest of society as little as possible.
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We are in a democracy, and I think for all issues, whatever matters that the opposition may have apprehension on, there is a forum, and it is called Parliament.
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The single most important thing we can do to protect our communities from climate change is to reduce dangerous carbon pollution.
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Too often in our communities many families have not even been aware that certain charities exist; and at the same time, there are many who are willing to volunteer their energy and their resources to help these charities, yet they do not know these charities even exist.
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We don't want our players getting hurt.
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'The Fight Club' DVD is great. I like anything that has really good extras because as an actor, it's really great to see the behind-the-scenes stuff and see how different actors approach their particular project.
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You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
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In 1930, I was at the top of my career. I won the Most Valuable Player award.
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The thing about Moby Dick is that, at heart, it's a very simple plot - there's only one white whale in the ocean. When you're a boy growing up in a hostile home, you imagine it's unique: it's happening only to you.
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I don't mind dating younger men now.
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Providence was well aware what lay ahead for me, and my Capuchin training was to prepare me for it.
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I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
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I wish all critics, no matter their color, were more sophisticated when it comes to the moral questions a film like 'St. Anna' is trying to raise.
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I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.
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I was lucky that when Lorne Michaels came looking for women comedy writers, there weren't too many in New York at the time. I was at the top of a very short list. I think that was all good fortune.
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I think people's perception of a rich girl is literal, but metaphorically I embrace it as being rich in love, spirit, joy and religion. So it's not about money.
