Luc Ferrari Quotes
I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing.
Quotes to Explore
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What was once underground is now coming to the surface.
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After 'Sesame Street,' it's a hyper-familiar world to me and I have this childlike ability to ignore the fact that I'm talking to scraps of cloth. Every country I go to, I see posters promoting the film in different languages. 'Los Muppets' - I love that!
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Western Christians have imagined that, at the end of the day, God is going to throw the present space-time universe into a trashcan and we'll be sitting on clouds playing harps. The ultimate future that we're promised is much more interesting than that. It's new heavens and a new Earth with new bodies to live in.
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No matter how beautiful and loved a cover may be, the jury on it remains uncommitted until the book has been in the world for a while. Perhaps bookstore buyers will be indifferent. Perhaps it will be lost on store shelves. Perhaps there's another book or two out there using the same or a similar photo.
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My mother did all she could to control me, but at age 14 she sent me to a military school.
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I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
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In Australia, they really want to turn me into a religion. A religion! Can you imagine? The Church of Edna? Oh. I don't want to be over-revered.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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I am the guardian of power, not its owner.
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I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
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The classic, 'Romeo and Juliet,' for me, is the iconic story of young love.
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I prayed like a man walking in a forest at night, feeling his way with his hands, at each step fearing to fall into pure bottomlessness forever. Prayer is like lying awake at night, afraid, with your head under the cover, hearing only the beating of your own heart.
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I never really did any disco dancing.
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R. Kelly is a thing on TV, but nobody knows Robert and what he's been through.
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I look formidable.
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Singing and dancing is not just for the cast of 'Glee'. We can wake up doing both and have it be a natural expression of who we are.
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I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
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The fame that goes with wealth and beauty is fleeting and fragile; intellectual superiority is a possession glorious and eternal.
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People can be inspired the way I've been inspired by music.
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A century ago, petroleum - what we call oil - was just an obscure commodity; today it is almost as vital to human existence as water.
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In the Arctic, the Inuit are saying water and land are the same; they're an unbroken unity. In the winter, you travel on the ice because it's the linkage and the easiest way, and in the summer, you move around on the water.
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Shakespeare is a permanent presence in the English letters.
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The folks who get their rent cheap, at the expense of other taxpayers, acquire the notion that society is obligated to take care of them-good Freudianism and that these rooms are a down payment on that obligation.
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I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing.
