Ann Robinson Quotes
And I got to play lead with Gene Barry - a fellow who has never, ever been hard on the eyes!
Quotes to Explore
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The people will save their government, if the government itself will allow them.
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To succeed in business, to reach the top, an individual must know all it is possible to know about that business.
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You make movies for the people. If critics happen to like them too, well, that's a home run.
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Approaching people for work has not worked for me. People who came to me with work has worked.
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I got the chance to do things that I dreamed of when I was a kid: I got to travel around the world; I had my own 'Goosebumps' attraction at Disney World; I've been on TV and had three TV series.
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When I approach guys in certain situations and talk to them about Christ, they know that I'm speaking to them in a way that's real.
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In a democratic age, you can't buck demography - except through civil war.
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I'm an artist. So if acting doesn't work out, which I hope it does, I'm probably going to go into graphic design or something like that.
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Character is like a tree and reputation like a shadow. The shadow is what we think of it; the tree is the real thing.
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It's interesting – in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
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Fools are more to be feared than the wicked.
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Life at a public company ain't for me. The board pays you what you're worth, then you get reamed for your compensation.
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My marks were always bad, and I was a bad influence on other children, so they would explain to my mother that they could retain me only by being partial towards me, and so I should offer to leave the school myself. I would barely get 40-50% and was also extremely naughty.
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I feel like if you enjoyed the 119 hours that precede the finale of 'Lost,' is that whole experience ruined by the fact that you might not agree with everything that we did in the finale? I would hope not! I would hope that you would appreciate the fact that you were entertained for 119 hours even if you didn't love the finale.
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I would love to play alongside Wayne Rooney. He does the running of two or three players and makes a lot of space. We would be the perfect combination.
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What's frustrating to me is when, on a low-budget movie, people don't take chances. A big-budget movie, that script's your bible; nobody's going to risk going off the page. But when you're doing a very low-budget film, why not take some chances, intellectually, artistically?
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Impatience is a virtue.
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I've started doing yoga and meditation, but I'm not very good at that kind of thing and turning my brain off.
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Writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from.
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If you live in Europe . . . things change . . . but continuity never seems to break. You don't have to throw the past away.
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How did George Bensen cut 'In Your Eyes?' How did I work with the Backstreet Boys? It all comes back to 'Sometimes When We Touch.'
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Emmy's exquisite youth and her virginal air,Eyes and teeth in the flash of a musical smile,Come to me out of the past, and I see her thereAs I saw her once for a while.
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But eventually it's a question of access: Getting access to fields is on top of the oil companies' agenda. We see a substantial build-up of supply occurring over the coming years.
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And I got to play lead with Gene Barry - a fellow who has never, ever been hard on the eyes!
