Anna Akana Quotes
When our bodies are sick and people extend their sympathy, bring us soup, offer up solutions. When our minds are sick, people tend to shy away from you, be afraid, or call you outright crazy. I'm fascinated by the way society and individuals view mental illness, and most of my shorts comment on that.
Quotes to Explore
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'Hellraiser' is an amazing world that Clive Barker created, and it is such a beautifully vibrant and surreal world within which to work. It is also not an undaunting canvas. It is a canvas created by an artist.
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I actually buy the paper version of The New York Times maybe once or twice a week.
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To be really great in little things, to be truly noble and heroic in the insipid details of everyday life, is a virtue so rare as to be worthy of canonization.
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Get me well so I can get on television and tell people to stop smoking.
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Whatever people thought the first time they held a portable phone the size of a shoe in their hands, it was nothing like where we are now, accustomed to having all knowledge at our fingertips.
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After the revolution, it might very well remain necessary to place people where they could not do harm to others. But the one under restraint should be cut off from the rest of society as little as possible.
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I was talking to Marylanders... What we were hearing, everywhere, was an overwhelming sense of frustration. People felt a huge disconnect between Annapolis and the rest of Maryland.
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The world is indeed a mixture of truth and make-believe. Discard the make-believe and take the truth.
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Agatha Christie holds special personal memories for me because my mum, a television producer called Pat Sandys, had been the first person to persaude the Agatha Christie estate to put one of her stories on T.V.
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People want to imagine I spend every night going to premieres and putting on frocks and getting into limos, and yet I do that maybe twice a year, if that.
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My thinking is lot more different with many actresses in the industry. I don't understand why people in showbiz put their profession of acting in the back seat after marriage.
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Human behavior in the midst of hardship caught my attention very early on, and my first stories were all pictures, no words.
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I joke that we're not dissimilar to a rock band in the '70s.
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The Army confronted racial integration when it was still unpopular in society. It has been struggling to more fully integrate women. Its troops, after all, reflect society.
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I've been into every doo-wop there is. I think I went to the university of doo-wop-ology.
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Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.
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My castings sort of go in phases. There'll be several icy professional parts - a lawyer or a cop. And then there'll be the intelligent-but-wounded group and then the period things. It goes in sequence.
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It's very simple. You have to be faithful to your other half and not have secrets. That's my rule.
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In school in Lebanon, we were not allowed to speak Arabic during breaks - it had to be French or English.
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Marriage must incessantly contend with a monster that devours everything: familiarity.
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I have a severe Google Reader habit. I think people will use blog forms and Twitter to contrive fiction.
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We live in a digital world, but we're fairly analog creatures.
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I learned to cook because I want to know about the food and the ingredients going into my family's bodies.
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When our bodies are sick and people extend their sympathy, bring us soup, offer up solutions. When our minds are sick, people tend to shy away from you, be afraid, or call you outright crazy. I'm fascinated by the way society and individuals view mental illness, and most of my shorts comment on that.
