Anna Akhmatova Quotes
The sand as white as old bones, the pine trees strangely red where the sun comes down. I cannot say if it is our love, or the day, that is ending.
Quotes to Explore
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'ReadyMade''s first three issues dished out instructions for all sorts of kitschy crafts and odd projects: homemade wallets, Adirondack chairs, even taxidermy.
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In the investment business, you must expect to be wrong.
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When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
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The different Ministries have to work more on the promotion of the country, to build Kosovo's public image. Concrete projects must be assembled, in order to activate our businessmen to have more contacts. We have to create a positive image about ourselves.
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It is often easier to become outraged by injustice half a world away than by oppression and discrimination half a block from home.
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I find the whole situation of confronting an audience terrifying.
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I would very much like to become a best-selling author.
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I became a novelist because of 'Gone With the Wind,' or more precisely, my mother raised me up to be a 'Southern' novelist, with a strong emphasis on the word 'Southern' because 'Gone With the Wind' set my mother's imagination ablaze when she was a young girl growing up in Atlanta.
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The feeling remains that God is on the journey, too.
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I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
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I have never been one of those actors who say, 'Oh, my character wouldn't do this,' or 'My character never wears an orange shirt,' or any of the number of inane things I've heard on movie sets throughout my career.
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I think we are intrinsically prone to being irrational and superstitious. A lot of it comes from our fear of the unknown and the fear of a lack of control over our fate.
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Because Mr. Mandela's early opponents invested so many resources into distorting the true nature of his advocacy, the singular historic moment millions now celebrate could have been tragically lost to guerrilla decontextualization.
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Mainly what I learned from Buddy... was an attitude. He loved music, and he taught me that it shouldn't have any barriers to it.
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The 'Police Academy' stuff was all hyper-slapsticky.
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My father was king of the guidebooks and our holidays were always planned, taking us from a great gallery to an ace cafe to a beautiful view. And as an actor, I loathe improvisation because there's no structure and no one knows what's going on.
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I thought that I could have a career in music. I really didn't know exactly what I wanted to do or how I would go about doing it.
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I fear that I won't work in the theatre again. I'm sad about that. But I won't retire.
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As for the Soothsayer, although I am certain no one feels the true beauties of that work better than I, I am far from finding these beauties in the same places as the infatuated public does. They are not the products of study and knowledge, but rather are inspired by taste and sensitivity.
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I can see why people love the idea of a big white wedding - it is a day when they are the centre of attention and get to wear a beautiful dress. But that sounds awful to me because that is like getting ready to walk down the red carpet.
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I knew there was something about 'Sun Medallion,' in particular, because I just had to record it the second I wrote it.
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For as nightingales do upon glow-worms feed, So poets live upon the living light.
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The sand as white as old bones, the pine trees strangely red where the sun comes down. I cannot say if it is our love, or the day, that is ending.
