Bob Dylan Quotes
Someone handed me Mexico City Blues in St. Paul Minnesota in 1959 and it blew my mind. It was the first poetry that spoke my own language.
Quotes to Explore
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My favorite thing to do is to wind those guys up by hitting on their girlfriends. I say, 'I think your girlfriend's gorgeous, but it's all right, I'm gay.' They get very nervous after a few minutes!
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I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
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Today, I guess I give a lot more thought to the roles before I sign them.
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U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.
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I'm not a control freak.
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I think men, growing up, you have to go through some form of hardship. You've got to harden the metal.
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I've never read for a movie, I've always been given them.
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Hip-hop is making a lot of noise. It should get some more spotlight.
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Winning the peace is harder than winning the war.
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Never for the sake of peace and quiet deny your convictions.
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I found it more challenging to act in a small scene, especially if it has no dialogue and if it is a close-up with only expressions.
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I wasn't going to make a slick, glossy over-produced piece of entertainment because then I would be doing what the Capitol did. Then I'm actually putting on the Hunger Games and not making a movie of the 'Hunger Games.'
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Searches of al Qaeda sites in Afghanistan, undertaken since American-backed forces took control there, are not known to have turned up a significant cache of nuclear materials.
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Bolivar's legacy has always been a part of the Venezuelan/Latin American imagery, especially in the countries that he liberated or he helped to liberate. He's been a very prominent figure.
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As an actress, vanity is your enemy. If you're thinking about how you look, you're not going to give a good performance. Once I realized, 'Hmm, I guess I'm not that vain,' it's like something I wanted to protect. I can't imagine anyone could give the full dynamic performance they're capable of and still be vain.
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People look up to Jacques Mesrine as if he were a Robin Hood, stealing from the rich, but he never gave anything back to anybody.
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So many good fortunes have come my way, and I'm trying to pay it forward by helping to raise money to complete 'Bulbul: Song Of The Nightingale,' a documentary that brings attention to the social and human injustices suffered by the Banchara tribe in India.
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I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
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My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.
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You don't need an alarm clock when you sleep with 20 models a night, one of those broads'll figure out that they better make breakfast in bed or I'll kill all of them.
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I believe in status symbols.
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Someone handed me Mexico City Blues in St. Paul Minnesota in 1959 and it blew my mind. It was the first poetry that spoke my own language.
