Fiona Apple Quotes
Quotes to Explore
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 audience at a time.
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According to Teenage Research Unlimited, 51 percent of 13-15 year olds say they will be faced with making a decision regarding alcohol in the next three months.
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I don't think there's a perfect time to have kids. I think first you have to find the perfect person.
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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If a queen bee were crossed with a Friesian bull, would not the land flow with milk and honey?
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It is wonderful to say that your days behind a school desk are over. It's just another phase in your life.
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If liberalism is to mean anything at all, it is duty bound to support without hesitation the dissenting individual over the group, the heretic over the orthodox, innovation over stagnation, and free speech over offense.
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My parents immigrated from Italy and spent 40 days and 40 stinking nights on a boat so we didn't have to eat things like gizzards.
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As far as I can remember, every dime I ever had went to something extravagant. I would rather spend more, buy fewer items and have them forever.
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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I love the crowds at festivals because they're so chilled out.
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Genius is a promontory jutting out into the infinite.
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I give two hoots about being typecast. It's not in my hands.
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The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
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I really identified with Jess, because my own dream was acting, which isn't the most conventional profession.
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So I was always passionate about it and felt that it was sort of the golden thread inside me in terms of what I was supposed to do in terms of work but I think I have relaxed a lot in terms of the actual experience and actually enjoy it more and enjoy the people more.
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Those who are outside the centres of power, because of the need for a positive and not simply a stable identity, are likely to find an independent identity appealing.
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I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.
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Looking at younger artists, like Varda Caivano and Kerstin Bratsch, I see that their work has something in common that is new to my generation. There's an effort to value the evidence of the hand and the handmade thing while also acknowledging the way in which the making of things with hands has such a complex, alienated place in our culture.
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I like to be as diverse as possible. I think the humorous side and the serious side are both elements of my personality. It's what makes me who I am and if I was to neglect either one of those sides and just focus on one of them, it wouldn't be the full spectrum of my personality.
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Poland, of course, was the key country. I remember Stalin telling me that the plains of Poland were the invasion route of Europe to Russia and always had been, and therefore he had to control Poland.
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I'm not a control freak.
