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If you're going to use standards as criteria for signing musicians, you can sign thousands. If you're going to use some sort of conceptual interpretation that's based on the tradition of those standards, but is trying to move away from it, you're down to about 10 people or so.
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The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music.
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I'm not going to play funk licks on a jazz album. That makes no sense.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula.
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I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?
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If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?
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It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore.