Lucy Dacus Quotes
I take photos, I used to make films, I journal incessantly, and I really value the documentation of life. Because it's almost like you are making something special by wanting to make it exist in an object - on paper or even just in the computer - making these recordings, making this music.
Quotes to Explore
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I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
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Jenna's traveled with me; they've both traveled with their dad. This is the only time they've been old enough in all of their dad's campaigns to really be involved in.
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That which prematurely arrives at perfection soon perishes.
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I worry about people who sell out to chase fame because when they get it, it might not be so satisfying.
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The fact that Western Muslims are free means that they can have enormous impact. But it would be wrong to claim that we are imposing our ways on the West. New ideas are now coming from the West. To be traditional is not so much a question of protecting ourselves as to be traditionalist in principle.
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The thing about tennis is if you stay off for two weeks, or just for three days, you can lose your rhythm quickly. So it's just a question of constant diligence and vigilance.
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There's not some idea I'm going to create a work that's going to change everybody's consciousness.
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I think it's difficult to do fashion for men, because either you become very over-homosexual fashion or very boring fashion. You don't want a boy who looks 15 in a little pair of shorts with some strange art... But to see just a jacket and tie is boring.
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Because Jews were kicked out of every country in Europe at one time or another, and plenty of other places as well, there isn't an ability to identify with a national heritage - you'll never hear a Jew say 'I'm German' or 'I'm Polish,' without saying something about being Jewish as well, and for good reason.
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Deep breaths are very helpful at shallow parties.
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My father was a headmaster in England and then the dean of a college in Australia. We moved there when I was about five, so my education was in Australia, and I always felt I was Australian even though my passport was British.
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I am happy everywhere except in places where I see glitz and rich farts. I am happiest in Brooklyn, where the concentration of rich farts is minimal.
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I've always had an interest in doing something that was outside my comfort zone; I had this thing about standing on the edge of the cliff and deciding to jump.
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You're always going to have people that are naysayers, that don't believe in your talent, that don't believe that you have any kind of longevity.
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If you go to Africa and you're white, you're probably not going to get that much work either. But the fact is that there is a longer history of black integration in the U.S. I don't have any resentment about this: I did the maths, calculated it against my ambition and decided to leave England.
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Assume everything you put on the Internet can and will be seen not only by the person you're talking about, but your future romantic partners and bosses, too.
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My mother taught me to drive using the 'Detroit Method,' where speed limits and traffic lights are taken as cute suggestions.
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And a third thing is the understanding of the Church as a community, a communion which is just a hierarchy but the people of God, whose servants are the priests and bishops.
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I suppose that the Western has always been a kind of mold to which you could pour the concerns of the day, but have them seen in the simple terms of the Western, of one alley or whatever.
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California's coastal economy and environment are just as important as Florida's.
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I don't really dress up for Halloween.
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Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
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I take photos, I used to make films, I journal incessantly, and I really value the documentation of life. Because it's almost like you are making something special by wanting to make it exist in an object - on paper or even just in the computer - making these recordings, making this music.
