Annabelle Selldorf Quotes
I always tend to think, even in residential projects, about what a space is being asked to do - where is it located, what are the circumstances, where can I attack the problem, so to speak. How can you create a narrative for people moving through it? How can you convey its character?
Quotes to Explore
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It is better not to express what one means than to express what one does not mean.
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I keep waiting for a paradigm shift to happen that will let network and studio execs see that sci-fi is the same as any other genre in terms of how you approach it - logically, character-based, with challenging ideas and forward thinking - but I worry that it might never happen in my lifetime.
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Any constitutional amendment that simply gives Congress the option of regulating campaign finance fails to immediately achieve what the American people want, and that is a complete reversal of Citizens United and other Supreme Court decisions that have allowed corporations and the wealthy few to drown out the voices of everyday voters.
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That a majority of the Abolitionists in this place would patronize a free labor store, in preference to others, I do not doubt; but we do not muster money in Cincinnati.
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There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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The most profound change that genetics brings about might not be scientific at all. It might be mental and even spiritual enrichment: a more expansive sense of who we humans are, existentially, and where we came from, and how we fit with other life on earth.
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In some ways, with the security challenges this country has faced, we have had to put in rules and regulations for business to be able to sustain their growth and create jobs.
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I actually buy the paper version of The New York Times maybe once or twice a week.
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I never got into politics for it to be a career. It doesn't take a lot of strength to hang on. It takes a lot of strength to let go.
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If people get to the end of the record, then that is a treat.
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I'm not the type of person that is forced.
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Village cricket spread fast through the land.
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I don't know how to say no, and that's a weakness.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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I think the audience keeps it fresh for me. You just never know – every audience has its own personality.
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I was born by myself but carry the spirit and blood of my father, mother and my ancestors. So I am really never alone. My identity is through that line.
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We see book-burning as a crime against humanity: it's intolerable because books represent a kind of freedom to us.
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Viola blows out a thoughtful air. "My dad used to say, 'There's only forward, Vi, only outward and up.'" "There's only forward," I repeat. "Outward and up," she says.
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I'd work with soccer coordinators at Game Changing Films and have one or two combat training sessions with my stunt double, who's a wushu master.
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I'm a talker. I love a good debate.
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The making of the far-famed New York Central Park was opposed by even good men, with misguided pluck, perseverance, and ingenuity, but straight right won its way, and now that park is appreciated. So we confidently believe it will be with our great national parks and forest reservations.
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I don't have anything against organized religions, except when they engender hatred for other religions. A lot of that we see today, where the Muslims are against the Christians and the Christians are against Jews and the Jews are against Arabs - I mean, it just it goes on and on and on.
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I always tend to think, even in residential projects, about what a space is being asked to do - where is it located, what are the circumstances, where can I attack the problem, so to speak. How can you create a narrative for people moving through it? How can you convey its character?
