Lucy Walker Quotes
I find titles the hardest thing. I was worried that 'Waste Land' was too much of a downer. For me, 'The Crash Reel' confronts what the film is about: it's not just about the reality of a crash, it's about the extremity we all face, and what happens when life crashes on you.
Quotes to Explore
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I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
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Tell him, on the contrary, that he needs, in the interest of his own happiness, to walk in the path of humility and self-control, and he will be indifferent, or even actively resentful.
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There's not much room for eccentricity in Hollywood, and eccentricity is what's sexy in people.
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If I just did music, I might go insane. I need words; I need stories. And it's the same the other way around.
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There's something about the silence of people listening to someone or watching someone - I just... I love that.
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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You do a job; your show gets canceled. You get used to it.
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I don't believe that human beings are necessarily monogamous.
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I won't be happy until we have every boy in America between the ages of six and sixteen wearing a glove and swinging a bat.
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I'm happy with the coach we have. I think any one of the ones I asked them to consider would've been good.
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I don't get sick of 'MMMBop' in any way shape or form, and I don't know why I would.
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Wait long enough, and people will surprise and impress you.
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What higher art does is to invite us in and allow us to make decisions.
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In all matters of opinion, our adversaries are insane.
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The idea of the mulatto has been a gathering point for a wide variety of racial prejudices, fears, myths, and speculations.
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I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
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Shinsuke Nakamura is probably one of the best wrestlers I've ever been in the ring with. He's very unorthodox. Everything he does is with knockout power. He's a guy who is very flamboyant, so don't let his Michael Jackson antics fool you. This guy is deadly.
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In my opinion, Christian Dior was never, ever theatre.
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You can't be sent away to prison for life and feel OK about it.
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The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basically sit in the theater and watch the movie before we shoot it, essentially.
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I like to make super music instead of working with superstars.
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I respect women that have a voice and use it for a proper reason.
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I find titles the hardest thing. I was worried that 'Waste Land' was too much of a downer. For me, 'The Crash Reel' confronts what the film is about: it's not just about the reality of a crash, it's about the extremity we all face, and what happens when life crashes on you.
