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The tendency of our time is wholly oriented toward the secular. The efforts of the mystics will remain episodes. Despite a deepening of our conceptions of life, we will build no cathedrals.
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Industrialization of the building trade is a question of material. Hence the demand for a new building material is the first prerequisite.
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It is better to be good than to be original.
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We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
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We made drawings the size of a whole quarter of a room ceiling, which we would then send on to the model makers. I did this every day for two years. Even now I can draw cartouches with my eyes closed.
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Architecture wrote the history of the epochs and gave them their names.
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And just as we acquaint ourselves with materials, just as we must understand functions, so we must become familiar with the psychological and spiritual factors of our day. No cultural activity is possible otherwise; for we are dependent on the spirit of our time.
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I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
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When it becomes economically possible, building will become montage.
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Technology is far more than a method, it is a world in itself. As a method, it is superior in almost every respect. But only where it is left to itself, as in gigantic structures of engineering, there technology reveals its true nature.
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Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
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But what if we are dealing with fools?
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Technology is rooted in the past. It dominates the present and tends into the future. It is a real historical movement - one of the great movements which shape and represent their epoch.
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Architecture is a language. When you are very good, you can be a poet
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We must understand the motives and forces of our time and analyze their structure from three points of view: the material, the functional, and the spiritual. We must make clear in what respects our epoch differs from others and in what respects it is similar.
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Architecture starts when you carefully put two bricks together. There it begins.
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It must be understood that every architecture is bound to its time and manifests itself only in vital tasks and through the materials of its age. It has never been otherwise.
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I hope you will understand that architecture has nothing to do with the inventions of forms. It is not a playground for children, young or old. Architecture is the real battleground of the spirit.
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Education must lead us from the irresponsible opinion to true responsible judgment. It must lead us from chance and arbitrariness to rational clarity and intellectual order. Therefore, let us guide our students over the road of discipline from materials, through function, to creative work.
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Cheese was the staple. Bread you brought from home. The Schnaps came later. At the end of the week when people got paid, that's when you got your Schnaps, lots of it, five Pfennige a shot.
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Architecture begins when you place two bricks carefully together.
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The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
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Generally, I think my work has so much influence because of its reasonableness.
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True education is concerned not only with practical goals but also with values. Our aims assure us of our material life, our values make possible our spiritual life.