Ludwig Wittgenstein Quotes
The ceremonial (hot or cold) as opposed to the haphazard (lukewarm) characterizes piety.
Quotes to Explore
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Yes, because when you're in love, you are shy.
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I'm a character actor.
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I spend all my time right now trying to combat music retail and copyright.
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If you have the ideas, and you're a creative person, then you don't really differentiate in how your ideas manifest themselves.
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When Paris has to pee, Paris has to pee!
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I like the dark undertow of grime, and it gets me aggressive. You need that aggression.
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I know the Russian political elite has got used to the Ukraine suffering from an inferiority complex, but I want this to disappear from our relationship.
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I'm learning slowly to not be as much of a control freak. I can't afford to be all the time, but I'm getting better at communicating. Delegating parts of my vision for other people to execute has made it an easier process for knowing what I want, and what people can handle, and what I should probably save for myself.
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I love Adele; she's a timeless, classic beauty. I think she's beautiful. She's just a real woman.
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Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
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I had novels to write, so I wrote them.
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If I were to take an undergraduate chemistry exam, I would probably fail.
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My mother was a single working mother; she started having children very young. There was a tension inside her about who she wanted to be and what she wanted to do and how she couldn't achieve the things she wanted to.
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There are no galley-slaves in the royal vessel of divine love - every man works his oar voluntarily!
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The Enron scandal is worthy of the highest level of scrutiny, both because of the enormity of the crimes that may have been committed and because of what the largest bankruptcy in American history has already begun to reveal about the weaknesses in our nation's corporate structures and regulatory oversight.
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What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
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It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
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'Friends' played in this territory of being funny, and then also just grabbing your heart. And not afraid of that. It was a comedic soap opera. Not being afraid to have an audience feel something, laugh and cry, was quite extraordinary and quite wonderful.
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I had a very boring life, which is fine. I like being boring.
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I travel the world visiting global health programs as an ambassador for the global health organization, PSI, and sometimes the disconnect I see is truly striking: people can get cold Coca Cola, but far too infrequently malaria drugs; most own mobile phones, but don't have equal access to pre-natal care.
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Look at it this way: if you write the novel of 'Cold Mountain,' it costs exactly the same to produce and market as a novel set in a room. If you make the film, the disparity of costs is huge.
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So many people have this idea: I want to achieve something great or be somebody great. And they neglect the step that leads to greatness. They don't honor this step at this moment because they have this idea of some future moment where they are going to be great.
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Even allegedly gender-neutral words like 'sexist' imply slights only against women.
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The ceremonial (hot or cold) as opposed to the haphazard (lukewarm) characterizes piety.
