Haley Bennett Quotes
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I tried to play sports, which was a disaster and probably one of the reasons I ended up being an actress.
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When I'm out the street, I get people whispering behind me, 'Isn't that Jennifer Lawrence?' I should start doing autographs - although if you stood us side by side, you wouldn't make that mistake.
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Movies are really hard to make. You put a lot of work into them, and you want people to see them.
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My siblings were pretty far apart in age, so I sort of grew up as an only child.
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Being nomadic isn't sustainable forever. I've gotten to be really good at it.
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I used to be a night owl. I no longer am a night owl.
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I think it's very refreshing to see women in cinema having strength and their own independent storyline.
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I went through a really dorky phase.
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I think that, a lot of times in Hollywood pictures, the reality, the messy reality of women's lives - it's avoided, because I think people are just afraid of it. There's a standard that women are set to, to try to keep everybody comfortable.
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I struggled for many, many years following 'Music and Lyrics' - I mean really struggled.
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I like the idea of having a superordinary life.
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There's not a formula that I'm following; it's just how I feel at the time. For instance, I did a very experimental film called 'Hardcore Henry,' and that was simply because I thought the filmmaker was very interesting and a risk taker. A film like that had never been made before, so I chose to do that at the time.
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I'm very happy with the choices I've been making and the people I've been working with. I hope I can continue along this path.
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Pioneer women were very tough - they had to be, because the men go off for long periods of time, and the women would have to be able to protect themselves and their homes.
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I basically grew up in the backwoods.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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There was no time when I lived anywhere longer than two years. I was always a social outcast. Maybe I didn't care what people thought because I was like, 'Well, I probably won't stick around here for too long.'
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I have a tendency to lean towards a more retro look.
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I think the more experience I have working on films, the more I can shed that character rather than carrying around that heavy weight.
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Doing 'Magnificent Seven' was a no-brainer.
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My dad was a single father, and he was a hunter.
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I think, by nature, human beings are curious. And I think that's only amplified as an artist.
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You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
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I think it's important to surrender to situations that take you out of your comfort zone.