Lukas Foss Quotes
I still do not know where the notes will come from when I accept a commission for a new work.
Quotes to Explore
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I have been offered a lot for my work, but never everything.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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And the American public was able to make up their own mind whether this verdict was a just verdict or not. So I think there's a lot of value in the public being able to see how the system works or doesn't work, so I think there's a definite value there.
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Sofia Coppola is wonderful, and I'd love to work with her.
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Grief is a terrible, painful place. You can't grind away on grief in a solid way and say, 'I'm going to work on this until it's over' because it will be with you for the rest of your life, whatever you do. So, you deal with it and move on.
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Too much work, too much vacation, too much of any one thing is unsound.
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When nature has work to be done, she creates a genius to do it.
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I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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But 18 years after the passage of the Civil Liberties Act, there still remains unfinished work to completely rectify and close this regrettable chapter in our Nation's history.
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I spend a lot of time talking to women interested in office about how they can make it work.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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I've never been someone that was sort of blessed with an innate talent of just being able to do things. I had to work at it and learn from mistakes.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I'm interested in.
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The kind of people that all teams need are people who are humble, hungry, and smart: humble being little ego, focusing more on their teammates than on themselves. Hungry, meaning they have a strong work ethic, are determined to get things done, and contribute any way they can. Smart, meaning not intellectually smart but inner personally smart.
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When people recognize your work and want to reward you for what you've done, that's a good feeling.
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Some of the greatest works of theater, from Chekov's work to modern playwrights', consist of just a few people in a room with no one leaving.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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In any war, there is a concealment of certain kinds of setbacks because it's propaganda for the enemy.
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It is not true that I oppose government funding of the arts.
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The bourgeois woman not only demands her own bread, but she also requests spiritual nourishment and wants to develop her individuality.
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I still do not know where the notes will come from when I accept a commission for a new work.
