Annette Bening Quotes
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Most women would say they relate to 'Hedda Gabler' - there's a part of her in them. Ibsen was writing about a deep ambivalence that many women feel about domesticity. I think about myself and friends of mine - we have some of Hedda's qualities and traits.
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I've always been pretty levelheaded. In show business, you need to have a certain internal stability.
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I have perfected the art of putting my feet on my husband's lap during awards ceremonies so he can rub them.
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We still want to idealize moms, and sometimes we want to idealize actresses who are moms, too. I know that's something I've experienced, but we're all just doing the best we can and we're all trying to raise our kids and talk to them about everything that needs to be discussed.
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I do have to take care of myself, not only because I'm in the movies, just for mental health reasons. I exercise for me. You know, maybe it would be nice to not have to do that in order to feel good, but I do. I feel like I have to, to feel good. To clear my head and all of that, so.
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I never felt like I had made it.
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I love the craft of acting, I love learning, I love everything that comes with the new project; the whole process is totally intoxicating to me.
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Yes, I know I've played these women, but I'm not really conniving at all.
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My parents were very supportive. They went to every show. And they never told me not to do what I was doing.
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Glamour is really fun.
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I feel very, very lucky to have come from the family I did. We have our dysfunctions and our problems, just like any family. But my parents are extremely loving people.
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Everybody has a public life, and they have their own private life. Everybody has their secrets. Everybody has their own private, you know, agonies as well as joys. And that's what great drama, whether it's the movies or the theater, that's what it shows.
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When I look at women, older than I am, in their 50s, 60, 70s, 80s, and I see women that I admire, I think, 'Oh, I get it; that's how I'm going to be.' I'm not scared. I want to be that.
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Somebody said something really smart: It's like you end up being the defense attorney for your role. Your job is to defend their point of view. You're fighting for what they want. You learn that in acting school - it's Acting 1A: 'What do you want? What's in the way?'
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I don't see myself as competing with other actresses. I mean, I went through a time when I was in New York, and I was going to lots of auditions and trying to get parts, but even then, you're not really competing with the other actresses. There is a competition going on, but it's not like something you can win in that way.
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I'm lucky: almost all my family has lived to be very old. I have one grandfather who lived to be 100.
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The tension I feel is the moment they say, 'Action!' Movies are like lightning in a bottle, and you always want to find when you possibly can catch a surprising moment.
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I didn't picture myself as a movie actress. I began to think about it around college. I remember thinking, 'Well somebody has to be in them,' so maybe I could do that eventually. It's all been a surprise.
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Critics have a responsibility to put things in a cultural and sociological or political context. That is important.
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Every person's opinion, in a way, does matter.
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If you can open people's hearts first, then maybe people's minds get opened after that.
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I never thought my private life would be newsworthy.
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Even with a stable character, you want something surprising to happen, hopefully because that's what the camera loves the most. That's what is great about film.
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I think in the past, around the time that method acting became so prevalent, it used to be that American actors were thought to be the kind that would work more from the inside out, and that the English actors worked more from the outside in.