Luke Kirby Quotes
Quotes to Explore
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I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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Your life, your circumstances change, and you have to continue to grow as a person, and once you have means and opportunity, you have to make different choices to protect what you have.
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The whole point of Superman, as originally created, was to be the ally of those who had no other allies. It put that magnitude of power, the most powerful guy in the world, in the service of those who had no hope, no chance.
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I feel like, sometimes, people, because of the amount of media, because of the amount of attention, people seem to think I have to do things. Like, I have to win right now! But I don't feel like that.
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Sure I think it is healthy to speak the truth, and be who you are, and be proud of that.
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There are certain things you don't discuss with Ansel, especially if you don't agree.
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The gravest risks from al Qaeda combine its affinity for big targets and its announced desire for weapons of mass destruction.
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My stepfather had a connection with The Second City and told me I should go there. I woke up in a cold sweat one night and said, 'I'm moving to Chicago.' That's how I went to Second City.
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It's not what you wear it's how you wear it, is what I say.
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To start with, pharma was an industry based on innovation, drug discovery.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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Aviation is proof that given, the will, we have the capacity to achieve the impossible.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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I don't have a big thing about leaving my mark or being historic.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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Back in 1975, we were making all the decisions about what people were going to watch.
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According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
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I don't have parts of my body that I hate or would like to trade for somebody else's or wish I could surgically adjust into some fantasy version of what they are.
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I've now been doing this for ten years, and I actually got to skip a stage of going to casting directors, and now I meet with the directors, either for lunch or an audition room, and I still read sides; you're never going to get around that, but I'm not the best person to go on an audition.
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If I've vividly laid out the narrative, the reader will come to his own conclusions.
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'HIM' is much more of a British, coming-of-age series, while 'Stranger Things' is very obviously a sci-fi drama.
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The only way we are going to get diversity is if the demographics of the decision-makers change... The odd-token bone thrown is not going to do it. Don't pat yourself on the back because you made that black drama; that's not diversity. It's got to be baked into the foundation of where the ideas flow from.
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I'm a drama nerd.
