Lupita Nyong'o Quotes
Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV. There was very little Kenyan material, because we had an autocratic ruler who stifled our creative expression.

Quotes to Explore
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The mind moves in the direction of our currently dominant thoughts.
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During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.
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As I got older I became a kind of sub cultural junkie, foraging around in music, street fashion and eventually art, politics and the freakier reaches of the Internet, hunting the next discovery, the next seam of underground gold.
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Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!
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By and large my relations with the US were good.
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I got the chance to do things that I dreamed of when I was a kid: I got to travel around the world; I had my own 'Goosebumps' attraction at Disney World; I've been on TV and had three TV series.
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I wasn't being bullied at school at this point. I had a group of friends, and I was isolated because I wasn't communicating with my parents. I wasn't telling them what I was going through.
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I was only 23 and just out of college when I filmed 'Casualty' and so nervous, but it was brilliant fun. I was really lucky, and it really helped my career.
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What is called good society is usually nothing but a mosaic of polished caricatures.
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The clash between Popper and Kuhn is not about a mere technical point in epistemology.
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I love food - I am never on a diet - I swear to God!
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When I was diagnosed I didn't know how epidemic cancer was. You find out that everybody you know is touched by this disease.
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What I am really curious about is the visuals of cinema... the form.
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There were no museums or galleries in Shanghai, but I was very keen on art - I was always sketching and copying, and sometimes I think that my whole career as a writer has been the substitute work of an unfulfilled painter.
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I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.
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The obstinacy of cleverness and reason is nothing to the obstinacy of folly and inanity.
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There's a joke that, if you can ride through Texas with somebody, which is 700 miles of just straight, flat freeway riding, then you can be friends with them forever.
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In effect, to follow, not to force the public inclination; to give a direction, a form, a technical dress, and a specific sanction, to the general sense of the community, is the true end of legislature.
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I played ball in college and semi-professional, and aside from the game and all that, the most valuable thing is the relationships. Who can care how many rings you have or how many championships you've won or how many records you broke. The most valuable stuff is the intangible stuff.
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People are so busy dreaming the American Dream, fantasizing about what they could be or have a right to be, that they're all asleep at the switch. Consequently we are living in the Age of Human Error.
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The way I approach acting when there's a real life character, it's sort of like a Venn diagram. What I come up with is some amalgam of the two of us.
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I want to shine a spotlight on showing how dangerous Trump and his Twitter button can be.
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This is about a deterrence effect to stop the Syrian regime targeting their own civilians. I think it would be enforceable from the Mediterranean using US French and UK military capability already out there. It would mean the aerial bombardment of Syrian civilians would stop, and it would create space for peace talks.
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Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV. There was very little Kenyan material, because we had an autocratic ruler who stifled our creative expression.