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Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.
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We, as human beings, have the capacity for extreme cruelty.
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Before the advent of the white man, black people were doing all kinds of things with their hair. The rejection of kinks and curls did come with the white man.
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Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV. There was very little Kenyan material, because we had an autocratic ruler who stifled our creative expression.
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Steve McQueen is a genius. And I think that word is overused, but I think with Steve it's rightly used. He's a genius.
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I want to be uncomfortable - acting is uncomfortable.
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I never understood who all those people are behind the actors! When you see them on the red carpet on TV, you go, 'Why does that person need such a large entourage?' And then you realize that every single person there has a role to play.
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Clay can be dirt in the wrong hands, but clay can be art in the right hands.
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I grew up watching foreign programs - American, English, Mexican, and very little Kenyan. 'The Color Purple' was the first time I saw people who looked like me.
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I grew up in the limelight and being the child of someone famous. So my relationship with fame is not bedazzled.
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I am thrilled beyond words that The Academy has recognized my performance in Steve McQueen's '12 Years a Slave,' and I am deeply proud to be in the company of my fellow nominees.
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My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me.
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There is something about acting that's mysterious and magical because there is only so much I can do to prepare, and then I have to just let go and breathe and believe that it will come through.
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As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
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Dreams are the foundation of Hollywood. And dreams are the foundation of America.
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Growing up, I had really bad skin. I had a skin disorder. Yes, I did. And my mother went to great lengths to try to find something to remedy it. I remember she took a trip to Madagascar and came back with all these alternative, medicinal herbs and stuff. They didn't smell so good, but I think they worked some magic.
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I had moved back to Kenya after undergrad, and I went through this crisis of, 'What is my life going to be about?'
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I discovered that joy is not the negation of pain, but rather acknowledging the presence of pain and feeling happiness in spite of it.
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I value not being good at things, because children are not good at things.
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I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
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Slavery is something that is all too often swept under the carpet. The shame doesn't even belong to us, but we still experience it because we're a part of the African race. If it happened to one, it happened to all. We carry that burden.
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I went to an all-boys high school, and they accepted girls in only the two A.P. classes.
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When I was younger, I was almost too afraid to admit that I wanted to be an actor.
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I love filmmaking, but I decided to go to drama school because I thought that when I'm 60 and looking back on my life, if acting hadn't been a part of it, I would hate myself.