Lupita Nyong'o Quotes
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My conscious life has all been in Kenya, and it's my point of reference. But going back to Mexico was very formative.
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My father was a professor of political science and also a young politician fighting for democracy in Kenya, and when things got ugly, he went into political exile in Mexico. Then I moved back to Kenya shortly after I turned one, and I grew up in Kenya.
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The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.
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Being a part of '12 Years a Slave' has been one of the most profound experiences of my life.
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I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed.
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The beauty standards had nothing to do with me in Mexico. It was such a bizarre, dire time for my hair. I was living in a small town where there was not any semblance of an African community. I'd have to take the bus to Mexico City to find a woman who could braid my hair. That was two and a half hours away.
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I was part of a growing community of women who were secretly dealing with harassment by Harvey Weinstein. But I also did not know that there was a world in which anybody would care about my experience with him.
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I'm Mexican and Kenyan at the same time. I've seen the quarrels over my nationality, but I'm Kenyan and Mexican at the same time. So again, I am Mexican-Kenyan, and I am fascinated by carne asada tacos.
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Being considered a fashion star is wonderful. It's definitely a bonus thing.
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What's becoming very obvious to me is that fashion is art.
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I'm interested in generating work for myself. I have trouble with this waiting-for-the-phone-to-ring lifestyle, especially after drama school, which was so creatively fulfilling.
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I didn't love my hair when I was a child. It was lighter than my skin, which made me not love it so much. I was really kind of envious of girls with thicker, longer, more lush hair.
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As actors, you become an expert at starting over.
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All throughout filming '12 Years a Slave,' there was a focus like no other. Everyone took ownership of this film and gave their all.
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I definitely love fantasy and would want to be in a fantasy project.
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I always love to learn new things. That's the reason I like being an actor.
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My father was a professor of political science and also a young politician fighting for democracy in Kenya, and when things got ugly, he went into political exile in Mexico.
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I thrive on structure. I find my freedom in structure.
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Human beings have an instinct for freedom.
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In the madness, you have to find calm.
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Slavery is something that is all too often swept under the carpet.
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Our business is complicated because intimacy is part and parcel of our profession; as actors, we are paid to do very intimate things in public. That's why someone can have the audacity to invite you to their home or hotel, and you show up.
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I have a very ostrich mentality. I feel like I have my head in the sand so no one can see me.
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Every single laundromat, grocery store, everything is called 'Lupita' in Mexico.